Back Swing
Chapters (68)
  1. Cover Page
  2. Title Page
  3. Copyright Page
  4. Dedication
  5. Praise
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Acknowledgments
  66. About the Author
  67. Also by Rupert Holmes
  68. What’s next onyour reading list?

He laughed in a quick staccato. “I didn’t stay for you. I’m here most nights till eight or nine at the least. Everybody wants everything by the morning. If it weren’t for overtime charges, I’d lose money on the whole operation. By the way, thanks a bunch for scaring off a customer.”

“I thought I saw her paying you,” I said.

“Yeah, but I bet she never comes back. What did you do to her?”

I ignored his question and asked, “How’d she sound?”

Gilbert looked at me. “What do you mean?”

“When she spoke to you. What was her voice like?”

He must have thought I was crazy, or in love with her.

“I think she had, you know, some kind of speech impediment. She said as little as she could.”

“By the way, that copying job you would have given the professor if he hadn’t taken mine, rearranging a stage-show chart so it would work for smaller combos . . . was that the chart Adeline brought in?”

“Yeah, it was a specialty dance number. Comanche something.”

“Apache,” I corrected him and left with the Swing parts under my arm. The orchestral score itself and a Photostatic copy of same were to be delivered to my hotel the next day.

I rode the birdcage elevator down to the ground floor and hailed a cab to take me back to the Claremont, where the band would be playing in less than half an hour.

I sat back in the taxi and thought about what had brought Nancy and me to the unlikely meeting place of the Centaur Luncheonette. We’d been there because a dancer who worked in the building wanted to meet with Nancy. Except that she hadn’t shown up. It was a strange coincidence: a no-show dancer and a vanishing waitress in the same lunch hour.

Strange unless they were the same person. People in show business often fall back on jobs as waiters and waitresses in between bookings.

What if the dancer had fled the luncheonette before she’d even seen Nancy, fled because of something she saw.

Me.

Just as she had fled from me today and at Lake Merritt. Was she frightened to see me? Or frightened I’d see her?

What had prompted these thoughts was the check from the French café that I’d looked at on the ferry. The café’s bored waiter had indicated that a tip was not included by writing the standard abbreviation for Service Non Compris. SNC.

I’d originally thought our waitress at the Centaur had jotted down “5NC” for table five, “No Charge.” But her 5 could easily have been an S. And I now knew that we had been seated at table one.

On her first day at a low-paying job where her tips would be important, a waitress might have reflexively written SNC at the bottom of the check.

If she were French.