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Contents (51)
  1. Holly McCulloch
  2. Contents
  3. About the Author
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. CHAPTER 9
  13. CHAPTER 10
  14. CHAPTER 11
  15. CHAPTER 12
  16. CHAPTER 13
  17. CHAPTER 14
  18. CHAPTER 15
  19. CHAPTER 16
  20. CHAPTER 17
  21. CHAPTER 18
  22. CHAPTER 19
  23. CHAPTER 20
  24. CHAPTER 21
  25. CHAPTER 22
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. CHAPTER 42
  46. CHAPTER 43
  47. CHAPTER 44
  48. CHAPTER 45
  49. CHAPTER 46
  50. Acknowledgements
  51. THIS IS JUST THE BEGINNING

Until now. Today’s email is not a rejection. And it takes about three minutes for the joy to turn to mild panic. The show is in four days and I have no table, no set-up, no nothing. I don’t even think I have enough cards. I am entirely unprepared.

I would like Peter’s help with everything but instead I ask:

Could you come help me on the day? Maybe you could keep me company around lunch-time?

That all?

That’s all. And maybe you could bring coffee. xx

If you’re sure that’s all you need I’m happy to oblige, but I’m here if you need more.

The next few days are filled with doing things I really should have done months ago. I cancel all my plans, including a yoga date with Tilly, and refuse any additional meet-ups, including another rendezvous with Colin.

Instead, I get insurance for my stand. I come up with a pricing strategy (by which I mean I put actual prices on all of my cards). I beg/borrow (and also steal, in the case of a small succulent – sorry, pub) things to brighten up my display table. I make a sign. I also try to think of funny things for new cards. I fail miserably at this, and decide to recycle some of last year’s bestsellers instead. A perk of being unknown is that they aren’t recycled in many people’s eyes. Every cloud.

And sooner than I would have liked, Sunday, aka Independent Art Fair Day, rolls around, and I’ve managed to squeeze all my card paraphernalia into the taxi. The driver isn’t happy about how long it has taken to load all my boxes, but finally everything is in and I can shut the door. One issue: I can only shut the door with me on the outside.

‘You’re never gonna get it all in with you inside, love.’

I think for a while, imagining I am playing a game of Tetris instead.

‘Hold on, I have an idea.’ I open the front passenger door. ‘Can I …?’ I don’t wait for his OK before I move the seat back. I rearrange the boxes and shut the door. ‘Perfect! That will be fine there.’ I hope. I then grab the box that’s sitting on the back seat and sit down, with the box on my lap. ‘OK! I’m ready.’

We are leaving about thirty minutes later than I had planned.

Clinging on to the box as we round corners unnecessarily fast, I’m a ball of apprehension. Despite all my preparations, I still feel woefully unprepared. I don’t remember the brownie stall organization being this stressful. But there wasn’t so much riding on that, whereas I want my cards to succeed. Today I take a step towards that goal. Today feels important. Today I will see people’s reactions to my cards first hand. I can’t help but think that by judging the cards, they’re also judging me.

If anyone had seen me this morning, they would already be judging me badly, but luckily only I was witness to my panicked last-minute preparations and changes in plan. The annoying thing is, I’d been worried about the logistics for days, particularly the taxi, but had been so paralysed by fear that I couldn’t face it until the morning itself. A terrible idea.