Back Imaginary Vessels Save as PDF
Chapters (67)
  1. Cover
  2. Note to Reader
  3. Dedication
  4. I
  5. Murano
  6. Bubbles
  7. Vessels
  8. A Peacock in a Cage
  9. At the Fishhouses
  10. When It Is Over, It Will Be Over
  11. Letter from the Pribilofs
  12. II. Go West
  13. You’re
  14. Mae West: Advice
  15. Marriage
  16. Censored
  17. Freedom
  18. Go West
  19. The New Woman
  20. Mae West: On Aging
  21. “Celebrity” Striptease at Southern X-Posure
  22. Confessional
  23. Self-Portrait as Mae West One-Liner
  24. Never
  25. Prayer
  26. Envoi
  27. III
  28. W.C. Fields Takes a Walk
  29. Philip Larkin’s Koan
  30. Once
  31. Saturdays at Reynolds Work Release
  32. Olive Oatman in Texas
  33. Assemblage of Ruined Plane Parts, Vietnam Military Museum, Hanoi
  34. IV. Shooting the Skulls: A Wartime Devotional
  35. Portrait of F19: Male, 42 Years Old
  36. Portrait of D6: Male, 38 Years Old
  37. F21: Male, 37 Years Old
  38. Devotional
  39. Devotional
  40. Portrait of F11: Female, 39 Years Old
  41. F20: Male, 29 Years Old
  42. Portrait of D19: Male, 41 Years Old
  43. Portrait of D17: Female, 37 Years Old
  44. C18: Male, 36 Years Old
  45. Devotional
  46. Devotional
  47. Portrait of E4: Male, 34 Years Old
  48. Devotional
  49. Devotional
  50. C2: Male, 42 Years Old
  51. Portrait of E20: Female, 32 Years Old
  52. C11: Female, 54 Years Old
  53. Portrait of B4: Female, 34 Years Old
  54. Portrait of C8: Male, 32 Years Old
  55. V
  56. Baucis and Philemon
  57. Rhetoric
  58. Irises
  59. Monticello Vase
  60. Birthday Poem
  61. Mortal Love
  62. The History of Paisley
  63. Notes
  64. About the Author
  65. Also by Paisley Rekdal
  66. Acknowledgments
  67. Special Thanks

and to her relief, he’s happy to oblige.

It’s a clear day, not too hot in the canyon,

and as she touches his shoulder while they walk,

a mild, almost dreamy pleasure begins

to suffuse his face. Strangers,

passing by them, nod. He smiles,

she ducks her head, and they turn a corner,

their slim backs suddenly swallowed

by a stand of ever-blooming crape myrtle.

Rhetoric

RHETORIC

A woman and man are busy beating a tree

that has lost its blossom. The woman and man

have the tree’s bare branches in hand,

they are hitting the tree to revive it, dislodging the few

small birds that have taken up residence, working

to make the lost thing once more beautiful to them.

The birds don’t know: they are strange and useless,

nonsinging bodies. They open their black-ringed throats

like a swarm of coughing orators, and the sound

of their rustling is Cato dragging his silks

over the Forum’s stones. Cato,

who could make an empire go to war,

whose passions became relentless enough

they turned into a project.

Still, how wonderful it must have been

to have listened to him once: the outrage, the force

of that mouth describing the African palace

where a dead queen’s shade still wept

in bed, while the soldier who loved her slipped

into his abandonment, pocketing a necklace of stones

and her palace animals’ teeth.

Did he place this jewelry around his new wife’s neck

in the hope of arousing a similar love?

Or did he bury it in secret, dreaming that the teeth

would turn into armies, plowing their way back

to wall up that forsaken room?

Every failed desire must be accounted for,

Cicero warned. And Cato, recalling

the soldier’s shame, cried, The foreign city must be razed!

All those beautiful animals. They must have been trapped

in the blaze that followed. Skins crisped

or stripped by the Romans eager for a souvenir.

What would the birds, if they could,

say of the couple beating that tree?

They were young, perhaps. The man

wore a hat that looked too small for him.

The woman’s dress had sweat rings around the neck.

They were not inherently cruel, but they were relentless,

and their arms, as they brought the blackened branches down

through the air, made a whistling that at first

sounded just like singing.

Irises

IRISES

How surgical the appetites

that have cleared the deer

to its skeleton I saw lying

in a ring of abandoned

miner’s cabins: hawks

and crows and wild dogs coming

to pick bones clean

among the remnants,

planks of roof and ellipses of iris

where once a garden stood.

The bones laid out like a piece of lace

spread on a table. How carefully

the work was done: the shape

of the deer intact, as if the object

was to make the animal

apparent as possible. Anyone

could have seen it, the form