Chapters (67)
- Cover
- Note to Reader
- Dedication
- I
- Murano
- Bubbles
- Vessels
- A Peacock in a Cage
- At the Fishhouses
- When It Is Over, It Will Be Over
- Letter from the Pribilofs
- II. Go West
- You’re
- Mae West: Advice
- Marriage
- Censored
- Freedom
- Go West
- The New Woman
- Mae West: On Aging
- “Celebrity” Striptease at Southern X-Posure
- Confessional
- Self-Portrait as Mae West One-Liner
- Never
- Prayer
- Envoi
- III
- W.C. Fields Takes a Walk
- Philip Larkin’s Koan
- Once
- Saturdays at Reynolds Work Release
- Olive Oatman in Texas
- Assemblage of Ruined Plane Parts, Vietnam Military Museum, Hanoi
- IV. Shooting the Skulls: A Wartime Devotional
- Portrait of F19: Male, 42 Years Old
- Portrait of D6: Male, 38 Years Old
- F21: Male, 37 Years Old
- Devotional
- Devotional
- Portrait of F11: Female, 39 Years Old
- F20: Male, 29 Years Old
- Portrait of D19: Male, 41 Years Old
- Portrait of D17: Female, 37 Years Old
- C18: Male, 36 Years Old
- Devotional
- Devotional
- Portrait of E4: Male, 34 Years Old
- Devotional
- Devotional
- C2: Male, 42 Years Old
- Portrait of E20: Female, 32 Years Old
- C11: Female, 54 Years Old
- Portrait of B4: Female, 34 Years Old
- Portrait of C8: Male, 32 Years Old
- V
- Baucis and Philemon
- Rhetoric
- Irises
- Monticello Vase
- Birthday Poem
- Mortal Love
- The History of Paisley
- Notes
- About the Author
- Also by Paisley Rekdal
- Acknowledgments
- Special Thanks
| some women | pick men to marry | some pieces |
| gat slug black | jack johnson | Panzer pipped |
| at home and marry | some men ache | patter of moan |
| some women watch | your six, ace, | Audrey’s top & bottom |
| Emma Gee, sweet Fanny | men glory | inflame home ache |
| may pucker up | some isolate | grow cold |
| buck ship at home | in pieces | Jack or Billy |
| club, sweet johnson | top or bottom in flames | some men are bucked |
| some women fancy | hitchy | hole moaning |
| get cold feet, get glory | saxes, ace, inflamed | club johnsons |
| Emma Gee whistling | at home | picked |
| cold gat slug | watch isolates | some men get sixed |
| some women ace | pucker up, Mae | pick ’em to pieces |
The New Woman
THE NEW WOMAN
I like a man who’s good but not too good—for the good die
young and I hate a dead one.
Belle of the Nineties, bid good
riddance to old glad rags. Get Gold
Bond, Horlicks, Good-Gal, Twilfit. Good
Housekeeping says we are flesh
that hungers for the goods. Don’t
begrudge yourself. Goodness,
why bother? Lo, the Good
Lord knows a man
must work. And a good man works,
Mae says. At least on me.
Until such goodness
kills him. We all die
anyways. So long. Boo hoo.
A hard man is good to find,
Mae says. A hard woman, too.
Mae West: On Aging
MAE WEST: ON AGING
I’m telling you, it’s always better to be looked over, than
overlooked.
Better your mask in the mirror. Better yet,
mask the mirror. Listen to Auntie Mae: It’s better
to evoke drool, to banter than ebb, better to be boned
than bones. A woman is time’s slave and intimate, lost
the moment her looks begin to go. You like your skin
as it wilts and slides, relieved by your total release
into time’s dominion? No more babe in woods, you say,
you’re Astute Botanist; Noisome Hetero Drone evolved
to sanguine witness. The soul, meat’s subtle shadow,
has no looks at all. So why not enshrine
what ornament skin gives it: thank the heavens
that reside between the legs? It ain’t death, hon,
but lack of nerve rendering you invisible. Better to be
than not to. Garb your mug in ashes. I’ll revel in the divine.
“Celebrity” Striptease at Southern X-Posure
“CELEBRITY” STRIPTEASE AT SOUTHERN X-POSURE
I’m no model lady, you know. A model’s just an imitation of the real thing.
On stage, “Mae West” disrobes. She
slithers, writhes, addle-eyed: a girl ladled
into heels and an idol’s name. “Amateur
Hour!” the bar flyer cries where men whistle,
yell as she blushes, unbosomed, the roots
of her hair like tar leaking through wheat.
What’s in a name? Bared, the body’s a rusted
sigil, slosh of atoms; the girl less Titian-
figured than a ghost trolling Mae’s dead adages:
Ain’t at anyone’s mercy if I say I want it.
Money tosses among dust motes eddying