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Chapters (67)
  1. Cover
  2. Note to Reader
  3. Dedication
  4. I
  5. Murano
  6. Bubbles
  7. Vessels
  8. A Peacock in a Cage
  9. At the Fishhouses
  10. When It Is Over, It Will Be Over
  11. Letter from the Pribilofs
  12. II. Go West
  13. You’re
  14. Mae West: Advice
  15. Marriage
  16. Censored
  17. Freedom
  18. Go West
  19. The New Woman
  20. Mae West: On Aging
  21. “Celebrity” Striptease at Southern X-Posure
  22. Confessional
  23. Self-Portrait as Mae West One-Liner
  24. Never
  25. Prayer
  26. Envoi
  27. III
  28. W.C. Fields Takes a Walk
  29. Philip Larkin’s Koan
  30. Once
  31. Saturdays at Reynolds Work Release
  32. Olive Oatman in Texas
  33. Assemblage of Ruined Plane Parts, Vietnam Military Museum, Hanoi
  34. IV. Shooting the Skulls: A Wartime Devotional
  35. Portrait of F19: Male, 42 Years Old
  36. Portrait of D6: Male, 38 Years Old
  37. F21: Male, 37 Years Old
  38. Devotional
  39. Devotional
  40. Portrait of F11: Female, 39 Years Old
  41. F20: Male, 29 Years Old
  42. Portrait of D19: Male, 41 Years Old
  43. Portrait of D17: Female, 37 Years Old
  44. C18: Male, 36 Years Old
  45. Devotional
  46. Devotional
  47. Portrait of E4: Male, 34 Years Old
  48. Devotional
  49. Devotional
  50. C2: Male, 42 Years Old
  51. Portrait of E20: Female, 32 Years Old
  52. C11: Female, 54 Years Old
  53. Portrait of B4: Female, 34 Years Old
  54. Portrait of C8: Male, 32 Years Old
  55. V
  56. Baucis and Philemon
  57. Rhetoric
  58. Irises
  59. Monticello Vase
  60. Birthday Poem
  61. Mortal Love
  62. The History of Paisley
  63. Notes
  64. About the Author
  65. Also by Paisley Rekdal
  66. Acknowledgments
  67. Special Thanks
some women pick men to marry some pieces
gat slug black jack johnson Panzer pipped
at home and marry some men ache patter of moan
some women watch your six, ace, Audrey’s top & bottom
Emma Gee, sweet Fanny men glory inflame home ache
may pucker up some isolate grow cold
buck ship at home in pieces Jack or Billy
club, sweet johnson top or bottom in flames some men are bucked
some women fancy hitchy hole moaning
get cold feet, get glory saxes, ace, inflamed club johnsons
Emma Gee whistling at home picked
cold gat slug watch isolates some men get sixed
some women ace pucker up, Mae pick ’em to pieces

The New Woman

THE NEW WOMAN

I like a man who’s good but not too good—for the good die

young and I hate a dead one.

Belle of the Nineties, bid good

riddance to old glad rags. Get Gold

Bond, Horlicks, Good-Gal, Twilfit. Good

Housekeeping says we are flesh

that hungers for the goods. Don’t

begrudge yourself. Goodness,

why bother? Lo, the Good

Lord knows a man

must work. And a good man works,

Mae says. At least on me.

Until such goodness

kills him. We all die

anyways. So long. Boo hoo.

A hard man is good to find,

Mae says. A hard woman, too.

Mae West: On Aging

MAE WEST: ON AGING

I’m telling you, it’s always better to be looked over, than

overlooked.

Better your mask in the mirror. Better yet,

mask the mirror. Listen to Auntie Mae: It’s better

to evoke drool, to banter than ebb, better to be boned

than bones. A woman is time’s slave and intimate, lost

the moment her looks begin to go. You like your skin

as it wilts and slides, relieved by your total release

into time’s dominion? No more babe in woods, you say,

you’re Astute Botanist; Noisome Hetero Drone evolved

to sanguine witness. The soul, meat’s subtle shadow,

has no looks at all. So why not enshrine

what ornament skin gives it: thank the heavens

that reside between the legs? It ain’t death, hon,

but lack of nerve rendering you invisible. Better to be

than not to. Garb your mug in ashes. I’ll revel in the divine.

“Celebrity” Striptease at Southern X-Posure

“CELEBRITY” STRIPTEASE AT SOUTHERN X-POSURE

I’m no model lady, you know. A model’s just an imitation of the real thing.

On stage, “Mae West” disrobes. She

slithers, writhes, addle-eyed: a girl ladled

into heels and an idol’s name. “Amateur

Hour!” the bar flyer cries where men whistle,

yell as she blushes, unbosomed, the roots

of her hair like tar leaking through wheat.

What’s in a name? Bared, the body’s a rusted

sigil, slosh of atoms; the girl less Titian-

figured than a ghost trolling Mae’s dead adages:

Ain’t at anyone’s mercy if I say I want it.

Money tosses among dust motes eddying