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Chapters (67)
  1. Cover
  2. Note to Reader
  3. Dedication
  4. I
  5. Murano
  6. Bubbles
  7. Vessels
  8. A Peacock in a Cage
  9. At the Fishhouses
  10. When It Is Over, It Will Be Over
  11. Letter from the Pribilofs
  12. II. Go West
  13. You’re
  14. Mae West: Advice
  15. Marriage
  16. Censored
  17. Freedom
  18. Go West
  19. The New Woman
  20. Mae West: On Aging
  21. “Celebrity” Striptease at Southern X-Posure
  22. Confessional
  23. Self-Portrait as Mae West One-Liner
  24. Never
  25. Prayer
  26. Envoi
  27. III
  28. W.C. Fields Takes a Walk
  29. Philip Larkin’s Koan
  30. Once
  31. Saturdays at Reynolds Work Release
  32. Olive Oatman in Texas
  33. Assemblage of Ruined Plane Parts, Vietnam Military Museum, Hanoi
  34. IV. Shooting the Skulls: A Wartime Devotional
  35. Portrait of F19: Male, 42 Years Old
  36. Portrait of D6: Male, 38 Years Old
  37. F21: Male, 37 Years Old
  38. Devotional
  39. Devotional
  40. Portrait of F11: Female, 39 Years Old
  41. F20: Male, 29 Years Old
  42. Portrait of D19: Male, 41 Years Old
  43. Portrait of D17: Female, 37 Years Old
  44. C18: Male, 36 Years Old
  45. Devotional
  46. Devotional
  47. Portrait of E4: Male, 34 Years Old
  48. Devotional
  49. Devotional
  50. C2: Male, 42 Years Old
  51. Portrait of E20: Female, 32 Years Old
  52. C11: Female, 54 Years Old
  53. Portrait of B4: Female, 34 Years Old
  54. Portrait of C8: Male, 32 Years Old
  55. V
  56. Baucis and Philemon
  57. Rhetoric
  58. Irises
  59. Monticello Vase
  60. Birthday Poem
  61. Mortal Love
  62. The History of Paisley
  63. Notes
  64. About the Author
  65. Also by Paisley Rekdal
  66. Acknowledgments
  67. Special Thanks

interlocking hooves and horns

twisted together to form great chains

of muscle, a mountain range of clashing

bodies linked together by the leg, a wolf

snapping at a man who grips him by the ears.

The vase commemorates the nation’s

Corps of Discovery: the scene itself culled

from Lewis’s descriptions

of an Indian jump he found the winter

before he lost his mind.

The vase’s color is something between

burnt wheat and burnished copper. It has a sheen

like the painted flanks on the picture

of Jefferson’s favorite horse, Caractacus:

named for the Celtic king who fought

the Romans, was taken as a slave

but spoke so eloquently he was given

his freedom. A model for Americans

to revere, the president wrote, even if they do not

remember him: symbol of native cunning

and resistance, whose power lies

in reported speeches.

Birthday Poem

BIRTHDAY POEM

It is important to remember that you will die,

lifting the fork with the sheep’s brain

lovingly speared on it to the mouth: the little

piece smooth on the one side as a baby

mouse pickled in wine; on the other, blood-

plush and intestinal atop its bed of lentils.

The lentils were once picked over for stones

in the fields of India perhaps, the sun

shining into tractor blades slow moving

as the swimmer’s arms that pierce,

then rise, then pierce again the cold

water of this river outside your window called

The Heart or The Breast, even, but meaning

something more than this, beyond

the crudeness of flesh, though what

is crude about flesh anyway, watching yourself

every day lose another bit of luster?

It is wrong to say one kind of beauty

replaces another. Isn’t it your heart

along with its breast muscles that

has started to weaken; solace

isn’t possible for every loss, or why else

should we clutch, stroke, grasp, love

the little powers we once were born with?

Perhaps the worst thing in the world

would be to live forever.

Otherwise, what would be the point

of memory, without which

we would have nothing to hurt

or placate ourselves with later?

Look. It is only getting worse

from here on out. Thank God. Otherwise

the sun on this filthy river

could never be as boring or as poignant,

the sheep’s brain trembling on the fork

wouldn’t seem once stung

by the tang of grass, by the call

of some body distant and beloved to it

still singing through the milk. The fork

would be only a fork, and not the cool

heft of it between your fingers, the scratch

of lemon in the lentils, onions, parsley

slick with blood; food that,

even as you lift it to your mouth,

you never thought you’d eat. And do.

Mortal Love

MORTAL LOVE

If we were immortal, the poet said, like

the Greek gods, love

would not be needed because time

ceases to matter: love