Back Imaginary Vessels
Chapters (67)
  1. Cover
  2. Note to Reader
  3. Dedication
  4. I
  5. Murano
  6. Bubbles
  7. Vessels
  8. A Peacock in a Cage
  9. At the Fishhouses
  10. When It Is Over, It Will Be Over
  11. Letter from the Pribilofs
  12. II. Go West
  13. You’re
  14. Mae West: Advice
  15. Marriage
  16. Censored
  17. Freedom
  18. Go West
  19. The New Woman
  20. Mae West: On Aging
  21. “Celebrity” Striptease at Southern X-Posure
  22. Confessional
  23. Self-Portrait as Mae West One-Liner
  24. Never
  25. Prayer
  26. Envoi
  27. III
  28. W.C. Fields Takes a Walk
  29. Philip Larkin’s Koan
  30. Once
  31. Saturdays at Reynolds Work Release
  32. Olive Oatman in Texas
  33. Assemblage of Ruined Plane Parts, Vietnam Military Museum, Hanoi
  34. IV. Shooting the Skulls: A Wartime Devotional
  35. Portrait of F19: Male, 42 Years Old
  36. Portrait of D6: Male, 38 Years Old
  37. F21: Male, 37 Years Old
  38. Devotional
  39. Devotional
  40. Portrait of F11: Female, 39 Years Old
  41. F20: Male, 29 Years Old
  42. Portrait of D19: Male, 41 Years Old
  43. Portrait of D17: Female, 37 Years Old
  44. C18: Male, 36 Years Old
  45. Devotional
  46. Devotional
  47. Portrait of E4: Male, 34 Years Old
  48. Devotional
  49. Devotional
  50. C2: Male, 42 Years Old
  51. Portrait of E20: Female, 32 Years Old
  52. C11: Female, 54 Years Old
  53. Portrait of B4: Female, 34 Years Old
  54. Portrait of C8: Male, 32 Years Old
  55. V
  56. Baucis and Philemon
  57. Rhetoric
  58. Irises
  59. Monticello Vase
  60. Birthday Poem
  61. Mortal Love
  62. The History of Paisley
  63. Notes
  64. About the Author
  65. Also by Paisley Rekdal
  66. Acknowledgments
  67. Special Thanks

in which a lotta hussy nothin’ floats, so writes

Variety of vaudeville’s paints that obsidian a face

moon-pale, shuttered to history—

Mae sends her maid Bea west

to Harlem where she cannot travel

to procure her tunes (Piano man croons: “He may be your man

but he comes up to see me sometimes”; “That’ll do,” Bea says) while

on the boards Mae nips out bits

of bio (spouse and birthday both), turns her script to cryptic

lace as police haul her off

for indecency. (“My play?” she purrs. “Let’s call it

‘Coitus,’ shall we?”)

In the courts and on the boards, Mae sways

and shimmies. Bea, from her place

behind curtains, applauds

as Mae’s mouth spits out bursts

of Bessie Smith, Lady Day, Ma Rainey.

Mae loves Bea so much she writes her

into play (Diamond to Maid: “Lissen, shadow,

whad’re you doin’ here?”), laughs at the thought

only one letter between them separates.

Dalí’s canvas is a frame

within a frame, portrait of a face for which

the outline is enough. She’s a sofa now. An oriflamme. Her eye

discourses. Hey, what’s that dark that breaks

through yonder window?

Court: So did you ever see her navel?

Witness: No, but I did see somethin’ in her

middle travel east to west.

Freedom

FREEDOM

He’s the kind of man a woman would have to marry to get rid of.

Mae: once, a man wrestled me to ground, wrangled my hands in his

and, when I tried to knee him in the groin (missed),

yanked my legs from under so I wouldn’t run. He laughed

as I saw stars. I get it: freedom (for a woman) has

a tag on it: ya gotta have more strength at hand, ya gotta have

no fear of fists. Give a man a free hand, he’ll run it all over you.

Gag whose strut of which I’m envious; of you, who thrived

on hungers without risk. Should I praise or blame these plays

no girl’s reality might imitate? Not even yours, feinting

off a drunken Fields, Yale men aswarm upon your stage—

To slide on your armor means to fake

away what hurts. The one who, instead of kiss, would shove.

The one who, gently, strangled. Mae, we weren’t swift

enough to rid ourselves of them. We were never swift enough.

Go West

GO WEST

“Mae West”: British slang in WWII for inflatable life jackets