Chapters (67)
- Cover
- Note to Reader
- Dedication
- I
- Murano
- Bubbles
- Vessels
- A Peacock in a Cage
- At the Fishhouses
- When It Is Over, It Will Be Over
- Letter from the Pribilofs
- II. Go West
- You’re
- Mae West: Advice
- Marriage
- Censored
- Freedom
- Go West
- The New Woman
- Mae West: On Aging
- “Celebrity” Striptease at Southern X-Posure
- Confessional
- Self-Portrait as Mae West One-Liner
- Never
- Prayer
- Envoi
- III
- W.C. Fields Takes a Walk
- Philip Larkin’s Koan
- Once
- Saturdays at Reynolds Work Release
- Olive Oatman in Texas
- Assemblage of Ruined Plane Parts, Vietnam Military Museum, Hanoi
- IV. Shooting the Skulls: A Wartime Devotional
- Portrait of F19: Male, 42 Years Old
- Portrait of D6: Male, 38 Years Old
- F21: Male, 37 Years Old
- Devotional
- Devotional
- Portrait of F11: Female, 39 Years Old
- F20: Male, 29 Years Old
- Portrait of D19: Male, 41 Years Old
- Portrait of D17: Female, 37 Years Old
- C18: Male, 36 Years Old
- Devotional
- Devotional
- Portrait of E4: Male, 34 Years Old
- Devotional
- Devotional
- C2: Male, 42 Years Old
- Portrait of E20: Female, 32 Years Old
- C11: Female, 54 Years Old
- Portrait of B4: Female, 34 Years Old
- Portrait of C8: Male, 32 Years Old
- V
- Baucis and Philemon
- Rhetoric
- Irises
- Monticello Vase
- Birthday Poem
- Mortal Love
- The History of Paisley
- Notes
- About the Author
- Also by Paisley Rekdal
- Acknowledgments
- Special Thanks
her down upon the rock until she rolls
her belly up, blank eyes wet in supplication.
This is how I imagine it. The event being
“no sight a lady should witness,” the Senior
Agent forbids me from the rookeries; John,
my husband now these thirteen months,
must privately describe it. Libby, he tells me,
you should see how soulful they are, it is
amazing to watch them weep. He takes joy
in their human qualities, recalls tales
of selkies who turned to seal-like girls
in surf, braiding their hair in seaweed plaits
to chain an errant sailor’s legs. And yet,
in seasons such as this he goes out with company
men to kill the mating seals in their rookeries,
drive them to ground with wooden clubs.
I’ve heard the sounds and smelled grease fires
smoking after skins are flensed, seen John
creep back from work, clothes spattered with blood.
How many months to be endured! And all before winter
comes, its long months unpunctuated by sun—
And yet I can’t complain, having begged John
to take me, a lone white woman at these edges
of the Pribilofs. Reluctant first, he is, I think,
now proud of me. Without a maid, John is the one
to tighten my stays, fetch me
paper, drawing pencils, tea. When he’s gone
I walk as far as the officers will let me,
to sketch a little of the matkas and their young.
Yesterday, a shape disturbed me
at the game: some wraith shadowing
Nah Speel’s rocks I noticed late, absorbed
by the sight of two bulls hissing and spitting
at each other, while a third made off
with the spoil they longed for: the matka
flattened on the glassy ground. Interesting,
isn’t it, Elizabeth? the wraith addressed me.
I looked. It was the Senior Agent—
He is, as I wrote before, the dark one
who follows me on my rounds, complaining
of my presence here. He charts my walks
around the island; once, in the mess hall
pinched my arm in passing, hissing, Selfish
to remain—
At home I raged at John,
who shook his head, but will say nothing.
How can it be selfish to claim my rights
beside the one I love? A loud groan, the sea’s
kaboom, and one of the bulls, his shoulder
pierced deeply, struggled off.
I watched his slow creep back into the sea,
his shape dissolving inside a curl of blood.
When I looked up, the Senior Agent was gone.
Tonight, I send along a sketch I’ve done
of a bull with his sleek matka, half-drawn,
only the heads and eyes completely finished, that
peculiar quality to their gaze I struggle
to capture: that clear, yet fathomless unblinking
from which occasionally come—to John’s
continued astonishment—real tears.
II. Go West
II
GO WEST
Diamond Lil is all mine. I’m she. She’s I. Like Hamlet, but funnier.
Mae West