Back Imaginary Vessels
Chapters (67)
  1. Cover
  2. Note to Reader
  3. Dedication
  4. I
  5. Murano
  6. Bubbles
  7. Vessels
  8. A Peacock in a Cage
  9. At the Fishhouses
  10. When It Is Over, It Will Be Over
  11. Letter from the Pribilofs
  12. II. Go West
  13. You’re
  14. Mae West: Advice
  15. Marriage
  16. Censored
  17. Freedom
  18. Go West
  19. The New Woman
  20. Mae West: On Aging
  21. “Celebrity” Striptease at Southern X-Posure
  22. Confessional
  23. Self-Portrait as Mae West One-Liner
  24. Never
  25. Prayer
  26. Envoi
  27. III
  28. W.C. Fields Takes a Walk
  29. Philip Larkin’s Koan
  30. Once
  31. Saturdays at Reynolds Work Release
  32. Olive Oatman in Texas
  33. Assemblage of Ruined Plane Parts, Vietnam Military Museum, Hanoi
  34. IV. Shooting the Skulls: A Wartime Devotional
  35. Portrait of F19: Male, 42 Years Old
  36. Portrait of D6: Male, 38 Years Old
  37. F21: Male, 37 Years Old
  38. Devotional
  39. Devotional
  40. Portrait of F11: Female, 39 Years Old
  41. F20: Male, 29 Years Old
  42. Portrait of D19: Male, 41 Years Old
  43. Portrait of D17: Female, 37 Years Old
  44. C18: Male, 36 Years Old
  45. Devotional
  46. Devotional
  47. Portrait of E4: Male, 34 Years Old
  48. Devotional
  49. Devotional
  50. C2: Male, 42 Years Old
  51. Portrait of E20: Female, 32 Years Old
  52. C11: Female, 54 Years Old
  53. Portrait of B4: Female, 34 Years Old
  54. Portrait of C8: Male, 32 Years Old
  55. V
  56. Baucis and Philemon
  57. Rhetoric
  58. Irises
  59. Monticello Vase
  60. Birthday Poem
  61. Mortal Love
  62. The History of Paisley
  63. Notes
  64. About the Author
  65. Also by Paisley Rekdal
  66. Acknowledgments
  67. Special Thanks

Their son has started up a business tutoring

high-school students, he said he’s found

some sort of group, gone back to school,

and it’s true they rarely see him anymore,

which is why it is so startling

to find him now asleep in the guest room

which used to be his sister’s—

there are still pictures from a horse camp

framed on the wall—his black jacket neatly

folded over a chair. His white shirt

is half rolled up his stomach,

like a child’s: she can see bruises

dappling his ribs and arms, and this—rather

than making her shake him awake—keeps her

peering at him, watching the thin chest

rise and fall, the sink of his stomach

like that of some starved animal,

though the more she looks, the more she thinks

it is her husband’s face she sees there.

There is his slack and opened mouth, the shut eyes

that flinch in sleep. The large,

almost ugly hands are her husband’s,

as are the long legs sprawled atop the sheet

embroidered with birds. For a moment,

it is her husband’s death she sees

in him, and knows, suddenly, whether

out of fear or love, how much

she does not want to survive this. All those years

together guarding the boy against his moods,

depressions at school; at home, violent

outbursts against his sister. What new

erosions of his mind would they now

be witness to? And what will be

her own future, she wonders, picturing herself

and husband twined like snakes

in a field, or dissolved inside a cloud of smoke:

a thunderclap of embroidered birds.

To disappear like this together is what

she most wants, neither one left behind, alone

with their son. Unfathomable, his anger

from which she has no defense, so never confesses

the rifled car, the shed’s smashed

lock, whatever trespasses only she

discovers, their son’s voice on the phone

demanding to know why the two of them

have never loved him. She looks at her son’s body

splayed on the coverlet. The long

and tattooed ankles. The waxy,

thin skin of his lids. Not like you love each other,

he’d accused her, as if it were her marriage

that had come between them, the guilt

that drove her now to leave small stacks

of cash for him to find secreted

inside a drawer. Her son lolls in sleep.

She stands and watches him till she hears a voice

calling by the door. It’s her husband

home from work. He’s about to mount the stairs

and find them together, and so she hurries down.

She wants to let her son sleep off

whatever he is sleeping off. To give him

time to wake, make his way into their bedroom

and find—if this is in fact what he has come for—

the newest small apology she’s left him.

She wants to go for a walk, she tells her husband,