Back Imaginary Vessels
Chapters (67)
  1. Cover
  2. Note to Reader
  3. Dedication
  4. I
  5. Murano
  6. Bubbles
  7. Vessels
  8. A Peacock in a Cage
  9. At the Fishhouses
  10. When It Is Over, It Will Be Over
  11. Letter from the Pribilofs
  12. II. Go West
  13. You’re
  14. Mae West: Advice
  15. Marriage
  16. Censored
  17. Freedom
  18. Go West
  19. The New Woman
  20. Mae West: On Aging
  21. “Celebrity” Striptease at Southern X-Posure
  22. Confessional
  23. Self-Portrait as Mae West One-Liner
  24. Never
  25. Prayer
  26. Envoi
  27. III
  28. W.C. Fields Takes a Walk
  29. Philip Larkin’s Koan
  30. Once
  31. Saturdays at Reynolds Work Release
  32. Olive Oatman in Texas
  33. Assemblage of Ruined Plane Parts, Vietnam Military Museum, Hanoi
  34. IV. Shooting the Skulls: A Wartime Devotional
  35. Portrait of F19: Male, 42 Years Old
  36. Portrait of D6: Male, 38 Years Old
  37. F21: Male, 37 Years Old
  38. Devotional
  39. Devotional
  40. Portrait of F11: Female, 39 Years Old
  41. F20: Male, 29 Years Old
  42. Portrait of D19: Male, 41 Years Old
  43. Portrait of D17: Female, 37 Years Old
  44. C18: Male, 36 Years Old
  45. Devotional
  46. Devotional
  47. Portrait of E4: Male, 34 Years Old
  48. Devotional
  49. Devotional
  50. C2: Male, 42 Years Old
  51. Portrait of E20: Female, 32 Years Old
  52. C11: Female, 54 Years Old
  53. Portrait of B4: Female, 34 Years Old
  54. Portrait of C8: Male, 32 Years Old
  55. V
  56. Baucis and Philemon
  57. Rhetoric
  58. Irises
  59. Monticello Vase
  60. Birthday Poem
  61. Mortal Love
  62. The History of Paisley
  63. Notes
  64. About the Author
  65. Also by Paisley Rekdal
  66. Acknowledgments
  67. Special Thanks

The Missouri Review Online: “C4: male, 39 years old”

Narrative: “Baucis and Philemon”

New England Review: “Birthday Poem,” “Saturday at Reynolds Work Release,” “When It Is Over, It Will Be Over”

The New Republic: “Murano”

Ninth Letter: “Confessional,” “Freedom,” “Go West,” “Marriage,” “Never,” “The New Woman,” “You’re”

Poetry: “At the Fishhouses,” “Vessels”

Poetry Northwest: “Rhetoric”

South Dakota Review: “Olive Oatman in Texas”

Water~Stone: “Bubbles”

Willow Springs: “W.C. Fields Takes a Walk”

“Self-Portrait as Mae West One-Liner” was published on the Academy of American Poets’ “Poem Flow” for its Poem-A-Day project.

“Birthday Poem” was reprinted in Best American Poetry 2013, edited by Denise Duhamel.

“W.C. Fields Takes a Walk” was reprinted in Pushcart Prize XXXVII: Best of the Small Presses.

“Monticello Vase” appeared in the anthology Monticello in Mind: Fifty Contemporary Poems on Jefferson, edited by Lisa Russ Spaar, University of Virginia Press.

“Vessels” was reprinted on the Poetry Daily website.

Thanks to the Amy Lowell Poetry Travelling Scholarship, the University of North Texas for its Rilke Prize, the Guggenheim Foundation, the Jentel Foundation, and the University of Utah for support. Thanks to Lisa Bickmore, Susan Brown, Kim Johnson, Natasha Sajé, Susan Sample, Melanie Rae Thon, and Jennifer Tonge. A final, special thanks to the editors who made these poems better, especially Jonathan Farmer, Tonaya Craft, and Michael Wiegers, and all the fine people at Copper Canyon Press.

Finally, my deepest gratitude goes out to Andrea Modica for use of her images, previously published in Human Being (Nazraeli Press, 2001).

The Chinese character for poetry is made up of two parts: “word” and “temple.” It also serves as pressmark for Copper Canyon Press.

Poetry is vital to language and living. Since 1972, Copper Canyon Press has published extraordinary poetry from around the world to engage the imaginations and intellects of readers, writers, book sellers, librarians, teachers, students, and donors.

Lannan Literary Selections

For two decades Lannan Foundation has supported the publication and distribution of exceptional literary works. Copper Canyon Press gratefully acknowledges their support.

LANNAN LITERARY SELECTIONS 2016

Josh Bell, Alamo Theory

Maurice Manning, One Man’s Dark

Paisley Rekdal, Imaginary Vessels

Brenda Shaughnessy, So Much Synth

Ocean Vuong, Night Sky with Exit Wounds

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