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Chapters (74)
  1. Cover
  2. Praise for Lynn Austin
  3. Also by Lynn Austin
  4. Epigraph
  5. PROLOGUE
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. CHAPTER 48
  54. CHAPTER 49
  55. CHAPTER 50
  56. CHAPTER 51
  57. CHAPTER 52
  58. CHAPTER 53
  59. CHAPTER 54
  60. CHAPTER 55
  61. CHAPTER 56
  62. CHAPTER 57
  63. CHAPTER 58
  64. CHAPTER 59
  65. CHAPTER 60
  66. CHAPTER 61
  67. CHAPTER 62
  68. CHAPTER 63
  69. EPILOGUE
  70. CHAPTER 1
  71. A Note from the Author
  72. Acknowledgments
  73. Discussion Questions
  74. About the Author

The pain in Miriam’s chest began to ease. She remembered how her music had encouraged Avi when they’d been in this place together. Abba said that Mother’s music had drawn him closer to God.

The conductor helped Miriam to her feet. “Play for our fellow Jews, Miriam. Our lives may be ending soon, but let’s pour out the last of our strength in praise and music, not in tears.”

She was able to draw a deep breath as she walked onto the stage and sat down. The conductor raised his baton. Miriam began to play, imagining that Avi was sitting in the audience with Elisheva on his lap, finding hope in each note she played. She imagined Abba and Mrs. Spielman sitting beside him, along with Mother and her aunts and uncles and her cousin Saul. She imagined Lies, Julie, Betsie, and Alie sitting with Klara and Tina. And with Miss Hannie, Miss Willy and Rietje and Frits —all the residents of Meijers House, who’d been declared inferior. As the music soared, they could all escape the indignities of living in chicken coops and attics and prison barracks and reclaim their humanity. She played for them and for the sorrowful souls who would be forced to climb into the boxcars in a few days. You were created in God’s image, she told them with every note she played. And so was I.

On the following Tuesday morning, the head of Miriam’s barracks called for everyone’s attention. A wave of anxiety spread through the barracks. The matron cleared her throat. “There will be no deportations this week. Report to your work assignments immediately.”

Above the buzz of astonished murmurs, someone dared to ask, “Why? Why were they canceled?”

The faintest hint of a smile brightened the matron’s face. She was a prisoner like the rest of them. “There are rumors that all the railroad workers in the nation have gone on strike.”

CHAPTER 54

Lena endured another long month without her husband, without her father, trying to scale the great mountain of her grief, slipping back into the valley of death’s shadow continually. Sunday church services were no longer the same, the memory of the Nazis’ violence still fresh and raw on everyone’s hearts. But the congregation continued to meet, offering strength to one another. Lena picked up Wim’s and Maaike’s school lessons each Sunday, unwilling to allow Maaike to go into town alone to attend school, terrified to let Wim be seen. Lena could tell he was growing restless, tired of living in the shadows. She’d heard of other mothers who’d disguised their sons in women’s clothing, but Wim had laughed at the idea, then shook his head firmly when she suggested it. They both wondered how much longer they’d be forced to live this way.