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Chapters (74)
  1. Cover
  2. Praise for Lynn Austin
  3. Also by Lynn Austin
  4. Epigraph
  5. PROLOGUE
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. CHAPTER 48
  54. CHAPTER 49
  55. CHAPTER 50
  56. CHAPTER 51
  57. CHAPTER 52
  58. CHAPTER 53
  59. CHAPTER 54
  60. CHAPTER 55
  61. CHAPTER 56
  62. CHAPTER 57
  63. CHAPTER 58
  64. CHAPTER 59
  65. CHAPTER 60
  66. CHAPTER 61
  67. CHAPTER 62
  68. CHAPTER 63
  69. EPILOGUE
  70. CHAPTER 1
  71. A Note from the Author
  72. Acknowledgments
  73. Discussion Questions
  74. About the Author

The food that evening tasted wonderful to Miriam, the first she’d eaten in three days. She remembered the Sabbath dinners with Abba and Avi and how thankful and hopeful they’d felt as they’d recited the traditional blessings and prayers. Now Miriam knew this was the end for her. She would never see Avi and Elisheva again. If they survived, they would have no way of learning what had happened to her.

That night, after lights-out, Miriam sat up on her bunk, her head brushing the rafters, and took out her violin. It was the only thing that remained of herself and of the life she’d once lived, and she wanted to play it one last time. She played it muted at first, expecting people to shout at her to be quiet, but no one did. Instead, she heard murmured thanks and requests to play more. Miriam removed the mute and poured all of her sorrow into every note. She had the fleeting thought that if Avi were here, he would hear the Tchaikovsky violin concerto and know it was her. Yet she prayed that he wasn’t, that he was asleep somewhere safe. At last, she put the violin away and tried to sleep.

A voice in the dark asked her to play again the following night after lights-out. Miriam knew it would be the last chance she would ever have before tomorrow’s train carried her into the unknown, so she poured her heart and soul into the music once again. She was in the middle of the Brahms lullaby she used to play for Elisheva when the outside door burst open. A light shattered the darkness, shining all around until it spotted her on her bunk. Miriam shielded her eyes. There was no place to hide.

“Who are you?” a voice behind the light asked.

“Christina Bos.”

“Get your things and come with me.”

CHAPTER 50

Lena’s grief was bottomless. Not only was her father gone, but the brutality and senselessness of his death made it impossible to accept. She held tightly to Bep’s and Maaike’s hands as she watched men bury him beside her mother in the churchyard. Friends had offered to take the girls during the funeral, but Lena needed them beside her to remind her why she must remain strong. At three and a half, Bep didn’t know what had happened except that Opa had walked out of the church and hadn’t come back. Maaike wept inconsolably. She’d heard the shot that killed her grandfather. Now she had withdrawn into herself, no longer a happy ten-year-old. Lena didn’t know how to explain to Maaike why Opa had volunteered to die or why the soldiers would kill a man who had done nothing wrong. The world was upside down.