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Chapters (74)
  1. Cover
  2. Praise for Lynn Austin
  3. Also by Lynn Austin
  4. Epigraph
  5. PROLOGUE
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. CHAPTER 5
  11. CHAPTER 6
  12. CHAPTER 7
  13. CHAPTER 8
  14. CHAPTER 9
  15. CHAPTER 10
  16. CHAPTER 11
  17. CHAPTER 12
  18. CHAPTER 13
  19. CHAPTER 14
  20. CHAPTER 15
  21. CHAPTER 16
  22. CHAPTER 17
  23. CHAPTER 18
  24. CHAPTER 19
  25. CHAPTER 20
  26. CHAPTER 21
  27. CHAPTER 22
  28. CHAPTER 23
  29. CHAPTER 24
  30. CHAPTER 25
  31. CHAPTER 26
  32. CHAPTER 27
  33. CHAPTER 28
  34. CHAPTER 29
  35. CHAPTER 30
  36. CHAPTER 31
  37. CHAPTER 32
  38. CHAPTER 33
  39. CHAPTER 34
  40. CHAPTER 35
  41. CHAPTER 36
  42. CHAPTER 37
  43. CHAPTER 38
  44. CHAPTER 39
  45. CHAPTER 40
  46. CHAPTER 41
  47. CHAPTER 42
  48. CHAPTER 43
  49. CHAPTER 44
  50. CHAPTER 45
  51. CHAPTER 46
  52. CHAPTER 47
  53. CHAPTER 48
  54. CHAPTER 49
  55. CHAPTER 50
  56. CHAPTER 51
  57. CHAPTER 52
  58. CHAPTER 53
  59. CHAPTER 54
  60. CHAPTER 55
  61. CHAPTER 56
  62. CHAPTER 57
  63. CHAPTER 58
  64. CHAPTER 59
  65. CHAPTER 60
  66. CHAPTER 61
  67. CHAPTER 62
  68. CHAPTER 63
  69. EPILOGUE
  70. CHAPTER 1
  71. A Note from the Author
  72. Acknowledgments
  73. Discussion Questions
  74. About the Author

Many of the incidents in this story are based on true accounts of courageous Dutch Christians who lived through the Nazi occupation. Ernst Lubbers is based on the real-life musician Max Ehrlich, a popular actor and theater director who staged musical productions while imprisoned in Westerbork. He died in Auschwitz in 1944.

In reading historical accounts of the Dutch experience, I was surprised and amazed to hear secular historians give credit to the church and to people of faith for withstanding the darkness. The Nazis considered the Dutch their Aryan brothers and hoped to incorporate them into the Reich. But Dutch Christians answered to God above all and refused to give in to the Nazis’ evil demands —even at the cost of their lives.

I pray that we’ll never have to endure what Christians in the Netherlands did. But it’s my hope that Chasing Shadows will lead readers to take a closer look at their own faith, as I did after reading The Hiding Place years ago. I remember wanting a faith like Corrie and her family had and like Diet Eman and her fiancé had. I pray that this novel will inspire you to pursue a closer walk with God and lead to a commitment to serve His Kingdom with whatever gifts He has given you.

God bless you all!

Lynn

Acknowledgments

Giving birth to a book has many similarities to giving birth to a child. Each novel begins as a tiny seed of an idea, then slowly develops and grows over time until that joyful and sometimes-painful moment when the new “baby” is finally ready to meet the world. And giving birth to either a baby or a novel is something I could never do alone. I’m grateful for this chance to thank the many, many people who have helped me give birth to Chasing Shadows.

My husband, Ken, is always vitally important in my writing just as he was, of course, with our actual children. He’s my first reader, plowing through my half-finished chapters and unresolved plot ideas and listening to me ramble on and on about what might or might not happen. Ever since that long-ago day when I first said, “I think I want to try writing a book,” Ken has been my most enthusiastic cheerleader. He never stopped believing in me, even when I sometimes stopped believing in myself.

Our son Benjamin, who earned his doctoral degree at Leiden University, was an invaluable help in writing this book, teaching me all about that lovely city and showing me (and my characters) how to get around. We also bicycled out of Leiden into the Dutch countryside one memorable day to where Lena and Pieter’s imaginary farm would be located.