Chapters (103)
- C.L. TAYLOR
- Copyright
- Praise for The Missing
- Dedication
- Table of Contents
- Thursday 5th February 2015
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Monday 11th August 2014
- Chapter 6
- Chapter 7
- Chapter 8
- Friday 22nd August 2014
- Chapter 9
- Chapter 10
- Chapter 11
- Tuesday 26th August 2014
- Chapter 12
- Chapter 13
- Thursday 25th September 2014
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Tuesday 7th October 2014
- Chapter 19
- Wednesday 8th October 2014
- Chapter 20
- Chapter 21
- Chapter 22
- Friday 10th October 2014
- Chapter 23
- Friday 24th October 2014
- Chapter 24
- Monday 3rd November 2014
- Chapter 25
- Chapter 26
- Tuesday 4th November 2014
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Saturday 8th November 2014
- Chapter 31
- Chapter 32
- Tuesday 25th November 2014
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Thursday 27th November 2014
- Chapter 41
- Chapter 42
- Chapter 43
- Friday 19th December 2014
- Chapter 44
- Chapter 45
- Friday 2nd January 2015
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Saturday 3rd January 2015
- Chapter 53
- Chapter 54
- Friday 16th January 2015
- Chapter 55
- Tuesday 27th January 2015
- Chapter 56
- Tuesday 27th January 2015
- Chapter 57
- Wednesday 28th January 2015
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Chapter 66
- Chapter 67
- Chapter 68
- Chapter 69
- A conversation with C.L. Taylor
- Book club questions for The Missing by C.L. Taylor
- Acknowledgements
- If you were gripped by The Missing, why not try …
- Author Note
- About the Author
- Also by C.L. Taylor
- About the Publisher
‘Ready?’ DS Forbes says again and this time I sit up straighter in my chair and take a deep breath in through my nose. I can smell DS Forbes’s aftershave and the faintest scent of motor oil emanating from Mark, who’s sitting on the other side of me. I can sense him watching me, but I don’t turn to look at him before I pick up the prepared statement on the desk in front of me. I can do this. I no longer need a hand on my knee.
‘Six months ago today,’ I say, looking straight into the camera lens, ‘on Thursday the fifth of February, my younger son Billy disappeared from our home in Knowle, South Bristol, in the early hours of the morning. He was only fifteen. He took his schoolbag and his mobile phone and he was probably dressed in jeans, Nike trainers, a black Superdry jacket and an NYC baseball hat …’ I falter, aware that some of the journalists are twisting round in their seats, no longer scribbling in their notebooks. Mark, beside me, makes a low noise in the base of his throat and DS Forbes leans forward and puts his elbows on the desk. ‘We all miss Billy very much. His disappearance has left a hole in our family that nothing can fill and …’ I keep my eyes trained on the camera but I’m aware of a commotion at the back of the room. One man is wrestling with another in the doorway. ‘Billy, if you’re watching, please get in touch. We love you very, very much and nothing can change that. If you don’t want to ring us directly, please just walk into the nearest police station or get in touch with one of your friends.’
The producer standing next to the cameraman taps him on the shoulder and signals towards the back of the room. The camera twists away from me and a shout emanates from the doorway.
‘Get off me! I’ve got a right to be here! I’ve got a right to speak.’
Chapter 5
‘What’s Jake doing here?’ Mark stares over the heads of the journalists and several flash bulbs fire at once, lighting up the corner of the room where Jake is remonstrating with a male police officer. ‘I thought you said he was ill.’
‘He was … is. Let me deal with this.’
‘Mrs Wilkinson, wait!’ DS Forbes shouts as I hurry across the room and shoulder my way through the circle of journalists that has formed around my son. I can just about make out the back of Jake’s head. His fair hair is wild and tousled without a liberal application of hair gel. He disappears as a policeman steps in front of him, blocking my view.
‘Excuse me. Excuse me, please.’
The TV cameraman hisses as I push past him but he’s shushed by his producer. ‘That’s the mum, get her in shot.’