Chapters (84)
- Cover
- Dedication
- The Lost Daughter
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Epilogue
- Acknowledgments
- An Excerpt from JACKIE AND MARIA
- Chapter 1
- Chapter 2
- P.S. Insights, Interviews & More . . .*
- About the Author
- About the Book
- Historical Afterword
- Sources
- The Love Lives of the Romanov Daughters
- Reading Group Questions
- Praise for The Lost Daughter
- By Gill Paul
- About the Publisher
“I do, very much! I can’t wait till they join us. You’ll like them.” She set the camera aperture to the indoors setting and looked through the lens, sliding the bellows in and out to focus. Her sisters had Box Brownies, which were simple to operate, but Maria preferred the sharper results she got with her more sophisticated model.
Peter seemed uncomfortable, clutching the album tightly as if afraid he might drop it, hunching his shoulders and leaning toward the lens.
“Why don’t you put the album on that side table?” she suggested. “Then try to stand naturally, as you would if I were not here. Look directly at the camera.”
He still appeared stiff, but his gaze was direct and unwavering as she pulled down the lever and took the picture. It would come out dark, but the light spilling from the window illuminated the right side of his face in a way that she hoped would seem artistic.
“Thank you.” She smiled, winding on the film. “I will let you see the picture once I am able to get it developed.” She wondered when that might be. Perhaps they would be overseas by then; in Great Britain, maybe. She knew that George V, her father’s cousin, had invited them a year ago and couldn’t understand why they had not left yet. “There are protocols and procedures,” was all her father would say.
Commissar Avdeyev came out of his office and scowled at them. “What are you doing? Citizen Romanova, go back to the family rooms immediately.”
She picked up her camera and album and obeyed, hoping that Peter would not be chastised for talking to her.
In the sitting room, her mother was sewing, her father was reading, and the air was thick with dust and dullness. They had not been there twenty-four hours, but already she felt the confinement weighing on her soul. She picked up a pen to write to her sisters, to tell them about Konstantin Ukraintsev and Peter Vasnetsov and the house that was nothing like a home.
* * *
There was a clock on the mantel in the drawing room and Maria rationed herself: she would only look at it again when she had finished writing one page of her diary, or sewing a hem of her petticoat, or reading a chapter of a book to her mother. Inevitably, when she did look, the hour was less advanced than she had expected. The minutes crawled interminably, so slow she suspected the clock had been tampered with in order to torture them.