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Chapters (84)
  1. Cover
  2. Dedication
  3. The Lost Daughter
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. Chapter 61
  66. Chapter 62
  67. Chapter 63
  68. Chapter 64
  69. Chapter 65
  70. Epilogue
  71. Acknowledgments
  72. An Excerpt from JACKIE AND MARIA
  73. Chapter 1
  74. Chapter 2
  75. P.S. Insights, Interviews & More . . .*
  76. About the Author
  77. About the Book
  78. Historical Afterword
  79. Sources
  80. The Love Lives of the Romanov Daughters
  81. Reading Group Questions
  82. Praise for The Lost Daughter
  83. By Gill Paul
  84. About the Publisher

“I do, very much! I can’t wait till they join us. You’ll like them.” She set the camera aperture to the indoors setting and looked through the lens, sliding the bellows in and out to focus. Her sisters had Box Brownies, which were simple to operate, but Maria preferred the sharper results she got with her more sophisticated model.

Peter seemed uncomfortable, clutching the album tightly as if afraid he might drop it, hunching his shoulders and leaning toward the lens.

“Why don’t you put the album on that side table?” she suggested. “Then try to stand naturally, as you would if I were not here. Look directly at the camera.”

He still appeared stiff, but his gaze was direct and unwavering as she pulled down the lever and took the picture. It would come out dark, but the light spilling from the window illuminated the right side of his face in a way that she hoped would seem artistic.

“Thank you.” She smiled, winding on the film. “I will let you see the picture once I am able to get it developed.” She wondered when that might be. Perhaps they would be overseas by then; in Great Britain, maybe. She knew that George V, her father’s cousin, had invited them a year ago and couldn’t understand why they had not left yet. “There are protocols and procedures,” was all her father would say.

Commissar Avdeyev came out of his office and scowled at them. “What are you doing? Citizen Romanova, go back to the family rooms immediately.”

She picked up her camera and album and obeyed, hoping that Peter would not be chastised for talking to her.

In the sitting room, her mother was sewing, her father was reading, and the air was thick with dust and dullness. They had not been there twenty-four hours, but already she felt the confinement weighing on her soul. She picked up a pen to write to her sisters, to tell them about Konstantin Ukraintsev and Peter Vasnetsov and the house that was nothing like a home.

* * *

There was a clock on the mantel in the drawing room and Maria rationed herself: she would only look at it again when she had finished writing one page of her diary, or sewing a hem of her petticoat, or reading a chapter of a book to her mother. Inevitably, when she did look, the hour was less advanced than she had expected. The minutes crawled interminably, so slow she suspected the clock had been tampered with in order to torture them.