Chapters (84)
- Cover
- Dedication
- The Lost Daughter
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- Epilogue
- Acknowledgments
- An Excerpt from JACKIE AND MARIA
- Chapter 1
- Chapter 2
- P.S. Insights, Interviews & More . . .*
- About the Author
- About the Book
- Historical Afterword
- Sources
- The Love Lives of the Romanov Daughters
- Reading Group Questions
- Praise for The Lost Daughter
- By Gill Paul
- About the Publisher
“I’m honored to meet the world’s greatest soprano,” he said, his first-ever words to her.
“One of the greatest perhaps . . .” Hyperbole always embarrassed her.
“You must be the only person in this room who plays down her achievements,” he said, with a tip of his head toward the assembled company. There were actors and socialites, some royals, and a sprinkling of politicians, but few from the world of opera, Maria’s usual milieu. The Duke and Duchess of Windsor were holding court, wearing crowns as if to mock the one he gave up when he abdicated the British throne; Princess Grace of Monaco wandered around with a sweet smile pinned to her face despite the conspicuous absence of Prince Rainier less than a year into their marriage; and Elizabeth Taylor was flirting at the bar with a swarthy man who was definitely not her husband.
Maria laughed. “I was assured these were ‘Europe’s finest,’” she said, mimicking the Midwest accent of their hostess, a gossip columnist who relished bringing celebrities together.
“Of course, one should always believe the word of journalists,” Aristotle retorted with a grin, and Maria warmed to him.
“Are you Maria’s father?” she heard Tina Onassis asking her husband, Battista, who had been hovering behind her. People often thought that because of the thirty-year age difference between them.
“Suo marito,” he replied with a hint of exasperation. He didn’t speak much English, only Italian, so Tina switched to that language to chat with him, while Aristotle continued addressing Maria in Greek.
“I’m ashamed to say I’ve never heard you sing. I’m not a fan of opera. It always sounds to me like a pair of Italian chefs screaming risotto recipes at each other.”
Maria laughed. “I don’t think I’ve heard that one. Can you remember what it’s called?”
“No idea,” he admitted with a grin. “But when Tina took me to an opera in Athens I dozed off in the box. At least they had comfortable seats.”
“I think you’ll find that operas are as varied as . . .” She searched for an appropriate simile. “You are in shipping, are you not? As varied as shipping routes.”
He pulled a face. “But more artistic, I hope. Despite my tin ear, I would love to hear the voice that all the critics rave about.”
She gave a modest shrug. “They don’t all rave, I’m afraid. They ran out of superlatives long ago and now they come to my performances searching for things to criticize. I don’t want to make their job easy, so the pressure each time I perform is immense.”
“That old story: they build you up only to knock you down again.”