Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Of course I called Em from Denver, too. Paul Goode’s shooting was big news in New York, but other news was in the mail. Em called the letter, from someone at the archdiocese, “kind and compassionate—not at all perfunctory, beyond pro forma.” It was only the hierarchy of the Catholic Church she hated, Em told me. “I have nothing against all the rest of the Catholics,” she said; she sounded worn out. Em had been busy boxing up Mr. Barlow’s things; not that long ago, I knew, she’d been boxing up Nora’s. It was upsetting enough for Em to be putting away the snowshoer’s stuff, but Em was angry and crying because she came across a box of Nora’s writing. Knowing Elliot Barlow had been her rescuer, Em understood that Mr. Barlow was both saving the box for Em and protecting her from seeing it. “Nora’s box,” Em called it, pun intended.

To say it was a box of Nora’s writing doesn’t cover it. Em wrote what Nora said onstage at the Gallows. Em put in writing what she knew how to pantomime and had rehearsed, but Nora was known to ad-lib her lines onstage—a subject of much disagreement between the two of them. Nora was also known to rewrite, in her own words, what Em had scripted for her to say. Dear Mr. Barlow would have known that Nora’s box contained a ton of contention between Nora and Em. Bernard (“Bonkers”) Nathanson had been a sore subject at the Gallows, where the cowardly management wouldn’t permit Nora and Em to ridicule Nathanson for his being a turncoat to abortion rights and the pro-choice cause.

A former pro-choice activist, Dr. Nathanson was a licensed obstetrician and gynecologist in New York. One of the founders of the National Abortion Rights Action League (NARAL), Nathanson had worked with Betty Friedan for the legalization of abortion in the U.S. He was also the former director of New York City’s Center for Reproductive and Sexual Health, but Bonkers Nathanson became a right-to-lifer. In 1984, Nathanson was the narrator of The Silent Scream—an anti-abortion film that included an ultrasound video of a fetus sensing it was about to be aborted.