Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Yet I couldn’t help wondering what Em had been wondering. Her pantomime wasn’t accusing me; Em was just thinking what I was thinking. I was my mother’s son, wasn’t I? Why wouldn’t I want a one and only? But if I was my father’s son, wouldn’t I have a pecker problem, too? Em was watching me; I knew she knew what I was thinking. I was watching Molly at the stove. Whatever the argument was between my mom and Molly, I was betting I would take the trail groomer’s side. Molly was as trustworthy as the snowshoer. There was a lot of lamb chili, more than enough for the five of us; maybe there really was a mystery guest coming to dinner. My mother liked drama, and she was good at it. What if Grace was coming to dinner? What if my meeting Grace, that old business, was all this was about?

“I’m just thinking about you, sweetie—I’m only thinking about your readiness, or unreadiness, to be married,” my mom said.

“He knows, Ray—he must be wondering where you’re hiding Grace,” Molly told her.

“You’re not ready to be married if you still think about that girl Zim found in Penn Station—you know, that Buddy, sweetie,” my mother went on.

“Not again, Ray—no more of this,” the night groomer tried to tell her.

“Or if you still think about that principled young woman, I think you called her—the one who wanted to read all of the dick novel, in order. You know, that Emmanuelle. You don’t still think about her—do you, sweetie?” my mom asked me.

Like many smart people, Grace was very observant. If Grace had been there, I’m sure she would have noticed that I didn’t or couldn’t look at Em, who not once—for the rest of the dinner party—looked at me. If Em and I had looked at each other, we both would have known I was still thinking about her. It was Em I was still thinking about—not that Buddy, or that Emmanuelle—but I would not meet Grace, not that night, not when Em was around. There was no mystery guest coming to dinner; Molly’s lamb chili was all for us. I took an enormous amount of leftovers back to the spec house. I would be eating lamb chili for days. Elliot and Em were leaving for New York the next morning, but we were up late in the spec house—telling Moby-Dick stories, and trying to translate Em’s pantomimes.