Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
Unless there was a mystery guest coming to dinner, we were all in agreement that my philandering father was the epitome of the problem with men—as my mom had put it. Paul Goode wasn’t ready to settle down and keep his pecker in his pants. Everyone sympathized with the wronged wife, Clara Swift, at home with her and Paul Goode’s son—while my dad had been dipping his wick with Juliette Leblanc in France. As for Paul Goode and Clara Swift’s kid, we took a guess at how old the boy would be—when the incriminating videotape was being shown, everywhere and all the time, when Argonne was playing or had already played in most movie theaters, though not yet playing in Manchester. We guessed the boy would be thirteen, old enough to know what was going on, young enough to be devastated by it. Our sympathies, surely, were with Clara Swift and the kid; none of us could remember the boy’s name. But did any of us truly care if Paul Goode could or couldn’t keep his pecker in his pants? Was that what this was about, or was my mom imagining I might have a genetic pecker problem?
“Are you thinking I may have inherited Paul Goode’s unreadiness to be married?” I point-blank asked my mother.
Em’s pantomime was immediately clear; I didn’t need Nora to know what Em was saying. Em didn’t nod or shake her head; she just pointed to herself and shrugged. Her expression was inquiring but nonjudgmental. This is what I can’t help wondering, Em was saying. She wasn’t speaking for my mom, only for herself.
“Don’t go there, Kid,” the night groomer told me.
“I don’t think of infidelity as an inheritable characteristic, Adam—I’ve not heard of anyone who had a genetic predisposition to it,” the little English teacher said.
“I’ve told you, sweetie—I don’t think about Paul Goode at all. He was a nice boy when I knew him, but he was just some kid—he didn’t know what he was doing,” my mother said.
“That’s a good place to leave it, Ray—right there,” Molly told her.