Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Unless there was a mystery guest coming to dinner, we were all in agreement that my philandering father was the epitome of the problem with men—as my mom had put it. Paul Goode wasn’t ready to settle down and keep his pecker in his pants. Everyone sympathized with the wronged wife, Clara Swift, at home with her and Paul Goode’s son—while my dad had been dipping his wick with Juliette Leblanc in France. As for Paul Goode and Clara Swift’s kid, we took a guess at how old the boy would be—when the incriminating videotape was being shown, everywhere and all the time, when Argonne was playing or had already played in most movie theaters, though not yet playing in Manchester. We guessed the boy would be thirteen, old enough to know what was going on, young enough to be devastated by it. Our sympathies, surely, were with Clara Swift and the kid; none of us could remember the boy’s name. But did any of us truly care if Paul Goode could or couldn’t keep his pecker in his pants? Was that what this was about, or was my mom imagining I might have a genetic pecker problem?

“Are you thinking I may have inherited Paul Goode’s unreadiness to be married?” I point-blank asked my mother.

Em’s pantomime was immediately clear; I didn’t need Nora to know what Em was saying. Em didn’t nod or shake her head; she just pointed to herself and shrugged. Her expression was inquiring but nonjudgmental. This is what I can’t help wondering, Em was saying. She wasn’t speaking for my mom, only for herself.

“Don’t go there, Kid,” the night groomer told me.

“I don’t think of infidelity as an inheritable characteristic, Adam—I’ve not heard of anyone who had a genetic predisposition to it,” the little English teacher said.

“I’ve told you, sweetie—I don’t think about Paul Goode at all. He was a nice boy when I knew him, but he was just some kid—he didn’t know what he was doing,” my mother said.

“That’s a good place to leave it, Ray—right there,” Molly told her.