Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Nora had called me Longhand Man, but Em wrote in longhand, too. I watched Em leaf through the pages of her writing on the worktable. I was wrong about the meaning of the X sign Em gave me; I’d wrongly assumed her writing in progress was strictly fiction. When Em came back to the bedroom that would be all hers, the pages she gave me were from a long letter she had begun writing me before the shooting. Em had been giving me the X sign for my mom’s matchmaking activities in Vermont; Em was crossing her fingers to the Grace idea, and where it came from.

“Grace looks like a young Clara Swift, and I know how Clara Swift affects you—she gets to me that way, too, you know,” Em wrote me. By a young Clara Swift, Em meant that Grace was now in her early thirties—about the same age Clara Swift was in ’77, when she gave birth to Paul Goode’s child. (That kid was almost a teenager now, and Clara Swift was in her forties—if not the hottie Em and I once imagined she was, still very much a hottie.) Em was hell-bent on making more comparisons between Grace and a young Clara Swift, some of which were (I thought) more literary than actual. I could imagine that I might be smitten with Grace because I was already smitten with a movie star, and Grace looked like her. But it struck me as far-fetched that women in their thirties—especially, women who marry much older men—want to get pregnant and have a baby almost immediately. Clara Swift was thirty-one when she had Paul Goode’s baby; Paul Goode would be in his sixties when that kid was a teenager. If I met and married Grace, and we had a baby, bang-bang, I would be a virtual geezer (in my sixties) when our kid was a teenager. “You know your mom has an agenda. Trust me, at her age, Grace will have her own agenda,” Em wrote me. This much of her long letter to me was all about the arranged marriage and subsequent fatherhood I would be facing, upon my moving to Vermont. Em had further decided that she wanted the snowshoer to read this much of her letter.

The rest of her letter, Em made clear, was for my eyes only. All I said to Em, loudly enough for Elliot to hear, was: “You also wrote me that my mom must have looked like Clara Swift.”