Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

On the weekend of the Gallows Lounge shooting, the snowshoer and I were not expecting to expose Em to a crowd. We’d already declined to be interviewed about the shooting. Mr. Barlow would forever be identified as the only hero; as Nora’s cousin, I was usually referred to as the novelist or the bestselling author. Naturally, we would protect Em from interviewers. As Em would one day act out for me, pantomimists are always misquoted.

For two nights, when Em would lie down in bed with me or Mr. Barlow, she lay back on the pillow, as straight and unmoving as a cadaver in a coffin. All day Saturday, Elliot and I were transporting Em’s belongings from her Hell’s Kitchen apartment to the snowshoer’s pied-à-terre on East Sixty-fourth Street. Em went with us; she seemed to understand that we were moving her out. She packed her own clothes; she carried things to and from the car. Em had more books than clothes; there were more pages of her writing in progress than I’d expected. She wanted all the photos—the photos of Nora, too—but Em wouldn’t touch or look at Nora’s clothes. No one mentioned Nora’s double-barreled twelve-gauge or Em’s long-barreled .357 Magnum. Em never touched or looked at the guns. The little English teacher told her that Molly and Ray would take care of everything we left behind. Em didn’t nod or shake her head; watching her closely, we noticed she was biting her lower lip. That Saturday night, when we’d moved Em’s clothes into the smaller bedroom of Mr. Barlow’s apartment, I told Em that this bedroom would be all hers once I went back to Vermont. When Em crossed her index fingers, giving me the X sign, I thought she meant she didn’t want me to go. I was relieved to see a reaction from her, any reaction at all. I was also moved to tears by the thought that Em might miss me, but when I tried to hug her, she pushed me away. Em stomped off to Elliot’s little living room. There was a worktable; it served as a desk, where we’d told Em to put her writing materials. I’d written on that worktable; I liked writing there.