Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
Now that Em and I were writing each other, I understood Em’s connection to Canada a little better. Em didn’t think of herself as coming from Canada, yet she was always imagining going back. She’d been born in Canada, and she had a Canadian father, but Em’s memories of Toronto were a nonlinear narrative; her early childhood hadn’t gone in a straight line, according to plan. She distinctly remembered various girls in the all-girls’ school where she’d worn a uniform, but she only dimly remembered herself as one of the uniformed girls. In Em’s mind, it was always Christmastime in Toronto, and all the Christmas trees in Canada were blue.
Em couldn’t remember how old she was when her parents were in the process of separating, or how long it took before they were divorced. Em soon moved to the United States with her mother, who was American. Em had a more reliable memory of some small towns in Massachusetts than she had of Toronto. She’d gone to a couple of private elementary schools, then to a boarding school in the western part of the state. During and after the divorce, Em had visited her father only once a year—over the Christmas holiday. It wasn’t only in her mind that it was always Christmastime in Toronto, but it was entirely in Em’s mind that all the Christmas trees were blue. The blueness of Christmas began for Em when her parents separated. It started with the self-hatred of Em’s mother and father, and their expressed hatred of each other. This was when Em began to think that not speaking might be her best option. In Em’s mind, this was why all the Christmas trees in Canada were blue. I knew the blue trees weren’t real, but I understood what they signified for Em; the blue Christmas trees were psychologically true.
When Em’s mother read The Coming Out Stories, she wrote to Em in care of the publishing house. Em had been careful not to let her parents know her home address. Em’s mom had always known how to be hurtful. “I hope you’re not still kidding yourself about going back to Canada. As long as your father lives there, you know you’ll never go back to him, but it’s just like you to hold on to things that aren’t true,” Em’s mother wrote her.