Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Em did a book signing of The Coming Out Stories for the regulars at the Gallows Lounge. Naturally, these fans hadn’t known that the silent pantomimist was also a fiction writer. And, like Mary Marinelli, most of the Two Dykes, One Who Talks fans hadn’t known that Nora’s nonspeaking partner actually didn’t speak in real life. When Em was signing her book at the Gallows, Nora and I had to explain this to them.

In the Reagan years, Nora and I would see a lot more of Em’s seagull thing—her arms spread like a seagull’s motionless wings. We knew this sometimes meant that Em was thinking about drifting back to Canada; yet her seagull thing was also Em’s way of pantomiming Ronald Reagan’s laissez-faire approach to the AIDS epidemic.

“Reagan isn’t laissez-faire or do-nothing about communism, but he seems content to let an epidemic run its course through the gay community,” the snowshoer had said.

The pretty English teacher was always reminding us of what Reagan said in his first inaugural—that “government is not the solution to our problem; government is the problem.” A seagull’s seemingly directionless drifting was Em’s way of imitating Ronald Reagan as the Pontius Pilate of the AIDS epidemic. That went over all right at the Gallows. Reagan wasn’t as beloved in New York as he was in the rest of the country. There were the occasional angry walkouts when the onstage subject of Two Dykes, One Who Talks was the dearth of attention Reagan gave to AIDS. Nora just shrugged; she said the walkouts were from out of town.

There were only a few times when Em tried to pantomime excerpts from her short stories onstage at the Gallows. The lunatic dad’s letter to the pope did not go over well, not even in New York. There were more than a few walkouts when Em acted out the part about the three big vehicles hitting the pope, and someone threw a beer bottle at Nora when Nora merely mentioned the first of the two attempts to assassinate John Paul II.

“Okay, no more popes,” Nora agreed, when the craven management of the Gallows Lounge had complained that the Canadian was making fun of the pope.