Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
Em did a book signing of The Coming Out Stories for the regulars at the Gallows Lounge. Naturally, these fans hadn’t known that the silent pantomimist was also a fiction writer. And, like Mary Marinelli, most of the Two Dykes, One Who Talks fans hadn’t known that Nora’s nonspeaking partner actually didn’t speak in real life. When Em was signing her book at the Gallows, Nora and I had to explain this to them.
In the Reagan years, Nora and I would see a lot more of Em’s seagull thing—her arms spread like a seagull’s motionless wings. We knew this sometimes meant that Em was thinking about drifting back to Canada; yet her seagull thing was also Em’s way of pantomiming Ronald Reagan’s laissez-faire approach to the AIDS epidemic.
“Reagan isn’t laissez-faire or do-nothing about communism, but he seems content to let an epidemic run its course through the gay community,” the snowshoer had said.
The pretty English teacher was always reminding us of what Reagan said in his first inaugural—that “government is not the solution to our problem; government is the problem.” A seagull’s seemingly directionless drifting was Em’s way of imitating Ronald Reagan as the Pontius Pilate of the AIDS epidemic. That went over all right at the Gallows. Reagan wasn’t as beloved in New York as he was in the rest of the country. There were the occasional angry walkouts when the onstage subject of Two Dykes, One Who Talks was the dearth of attention Reagan gave to AIDS. Nora just shrugged; she said the walkouts were from out of town.
There were only a few times when Em tried to pantomime excerpts from her short stories onstage at the Gallows. The lunatic dad’s letter to the pope did not go over well, not even in New York. There were more than a few walkouts when Em acted out the part about the three big vehicles hitting the pope, and someone threw a beer bottle at Nora when Nora merely mentioned the first of the two attempts to assassinate John Paul II.
“Okay, no more popes,” Nora agreed, when the craven management of the Gallows Lounge had complained that the Canadian was making fun of the pope.