Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Some guys thought Nora was a guy. When she wore a ski parka that was long enough to hide her hips, or an oversize sweater—it had to be huge to conceal her breasts—the prominent jut of Nora’s jaw and her broad shoulders gave her a masculine appearance. And on skis—even when she was just walking on skis—Nora could maintain a manly swagger. Not so off skis, when her hips were involved in the process. With her hips in the picture, or her boobs, it was evident to anyone that Nora was a woman.

As for those hotshot skiers lying under her on a ski trail—in particular, those dickheads who’d had their wind knocked out or were concussed—imagine their surprise when they regained consciousness with their quivering lips pressed against Nora’s ear. I’m guessing the questionably erotic confusion of the moment suddenly stood in contrast to Nora’s bristling crew cut, her handsome but hard-looking face—the granite jaw, the tight-lipped smirk that passed for Nora’s cruel smile.

But I’m making too much of the heroic example Nora set for me. Yes, she helped me endure those winter ski trips up north. But Nora’s rebellious antics notwithstanding, what stands out for me are those two weeks every winter when my mother and I were together—in particular, our nights.

“Oh, boy—a sleepover, Adam!” my mom would exclaim, in her little-girl way. “Aren’t you excited?”

Yes, I was—at any age. I always was. My mother made me feel that a sleepover with me was her favorite thing; in retrospect, perhaps it was. I know this from Nora: Aunt Abigail and Aunt Martha were ceaselessly disapproving that my mom and I shared a room together during her North Conway visits. For a time, we were given a room with a queen-size bed; to the dismay of my rigidly conventional aunts, my mother and I had sleepovers in the same bed. But that would stop before I became a teenager; when I was eleven or twelve, my aunts persuaded the North Conway Norwegians to give my mom and me a bedroom with two twin-size beds.

“My mother and Martha will even find a way to die appropriately,” was Nora’s response. Indeed, they would.

(I’m a little sensitive to the subject of the deaths of aunts in my novels. Unkind critics have complained how I dispatch, or dispose of, the unlikable aunts in my fiction, but these critics never knew Aunt Abigail or Aunt Martha. Any deus ex machina device would not be too improbable for them.)

Aunt Abigail and Aunt Martha interfered with my mom’s and my sleeping arrangements. What business was it of theirs?