Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

Legs were broken in these collisions, but not Nora’s. Knees needed surgeries, but never hers. In the leather-boots days—long, wooden skis with cable or bear-trap bindings—there were more lower-leg injuries, but not once Nora’s. My first skis were wood, of course. I believe they were made by the Paris Manufacturing Company (South Paris, Maine), and they had Kandahar bear-trap cable bindings. Or perhaps these were Nora’s first skis. So much of the past—I mean, my past—has been narrated to me by my older cousin.

Uncle Martin and Uncle Johan were telemark men, free-heelers till their dying days; they loved their nipple-tipped Nordic skis. I remember my uncles telemarking in the 1970s. Most alpine skiers switched to heel-and-toe safety bindings in the 1960s.

“Those old cable or bear-trap bindings caused more than a few spiral fractures of the calf,” I remember my mom saying.

Such fractures were not unknown among Nora’s victims—along with the upper-body injuries you would expect from such high-speed, hard-impact falls. Separated shoulders and broken collarbones were common, though never Nora’s. And if Nora tackled you and landed on you, there might be broken ribs and concussions, too. What made safety bindings safer was that they released when you crashed, and your skis came off. But skis have sharp edges; when two skiers crash together, facial lacerations can occur. Nora was proud of the scars on her face.

One time, her stitched eyebrow opened at night and bled on her pillow; in the morning, Nora’s face was stuck to her pillowcase. The girly-girl blondes were shrieking in the upstairs hall, grossed out by all the blood. Another time, Nora broke her nose; her nose was pressed against some guy’s sternum when she drove him into the hill. His sternum was cracked—arguably a worse injury than a broken nose.

“It was only a hairline fracture,” Nora said with a shrug. “And look at me—I have raccoon eyes. I couldn’t pick up a pervert, looking like this,” she added, pointing to her two black eyes.

But I had the feeling Nora liked her injuries, if not as much as she liked injuring dickheads. For one thing, if Nora had an injury, she had an excuse not to ski. And there’s no doubt that Nora liked looking a little roughed up. In our Cranmore Mountain years, I was not aware of Nora’s interest in picking up anybody—not even a pervert. Nora not only dressed like a tomboy; from the moment she’d been sent away to Northfield, Nora had made what her mother called “a haircut statement.”

“It’s called a crew cut,” Nora said; she made a point of not saying this in the exclamatory fashion of those dramatic Brewster girls. “How come when boys have a crew cut, it’s no big deal?”