Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
The not-so-pretty girls were dancing with one another, or they sat waiting to be asked to dance. I noticed that no one asked the overweight ones, and the heavier of them were disinclined to dance with one another; maybe they thought dancing together would just call attention to how big they were. I saw Sally sitting by herself. Even when she was sitting down, I could see how big her boobs were and how tall she was. I knew I would come up only to her collarbones.
Our first dance was a slow one. I was slow-dancing at eye level to Sally’s boobs to “Old Shep” or “How’s the World Treating You?”—’56 was a big year for Elvis. A few of the cooler couples were quick to laugh at us.
“They’re laughing at us because I’m small,” I said to Sally.
“They’re laughing at us because I’m fat,” Sally told me, without hesitation.
“I don’t think you’re fat, but I know I’m small,” I told her.
“I know how to shut ’em up,” Sally said, pulling my head to her breasts and holding me there. This was when I got the idea of making out with her in my attic bedroom; this was also when the disc jockey decided to switch from slow Elvis to fast Elvis.
First my face was pressed against Sally’s boobs, and we were dancing to a dead-dog dirge; then Elvis was singing “Blue Suede Shoes” or “I Got a Woman,” and I was trying to hang on.
Fast-dancing with Sally was an exercise in staying out of her way. I soon realized Sally was intent on doing damage to the couple who’d laughed at us the quickest and the loudest. Sally hit the couple hard, mid-twirl, hipping them across the gym floor, where they fell together in a tangled heap. “Oops!” Sally said, twirling back to me. I realized she was more agile than she looked.
I liked her so much, I even introduced her to my mother and the little snowshoer—this was in the fall, before the ski season, of course. But there was nowhere Sally and I could have made out in Mr. Barlow’s faculty apartment; it was a small apartment in one of the academy dormitories. I would have had to bring Sally into the dorm, where all the Exeter boys could get a look at her. I was afraid of the comments one of those cruel boys might have made. I was brand new, as both a faculty brat and an academy student. Many of those Exeter boys were smarter and more sophisticated than I was. I felt I was an outsider among them.