Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
“When you want to break up with someone, you’re going to get blamed for it—no matter how it happens, sweetie,” my mother told me. She had a point, but I took her advice on this aspect of love with a grain of salt—as Dottie said they were always saying in Maine.
In poor Sally’s case, I was not trying to break up with her when I took her to my attic bedroom and she saw the spirit of punctuation perfection. Sally was my first girlfriend. I was very fond of her. I didn’t want to break up with her. I just wanted to make out with her, and I knew Nana and Dottie wouldn’t intrude; those two were fussing around in the kitchen, where my grandmother was struggling over one of her mystery casseroles. “When you’re in your attic bedroom, I’m leavin’ you to your own business, Adam—if I need ya, you’ll hear me hollerin’ from them attic stairs!” Dottie had told me.
I suppose I was hoping to impress Sally. I’d told her that my grandfather was a ghost; she said she wanted to see him. She wasn’t challenging me—she sounded like she believed me.
Nora had a way of compartmentalizing my girlfriends—“the overweight one” was Nora’s shorthand for Sally. “Didn’t Sally get stuck in a shower?” Nora was always asking me—thus pigeonholing one awkward moment as the epitome of my “fat-girl infatuation,” as Nora referred to my first girlfriend experience.
This seemed unkind of Nora, who was (as she’d always been) a big girl. But I’d already noticed—at fourteen, going on fifteen, when I was a first-time student at the academy—how overweight girls were discriminated against, often cruelly. I took their side; I felt sorry for them, but I was truly attracted to them. Did their bigness in juxtaposition to my smallness have something to do with my attraction to them? My mom said she thought so.
“Duh!” Nora said, when I asked her about it.
I met Sally at a high school dance. There were dances in the gym at Exeter High School on the weekends. The students were the same kids I’d known in elementary or junior high school, but now that I was attending the academy, I felt ostracized at those dances. The high school kids either ignored me or they treated me as if I’d snubbed them.
The pretty girls were always with someone; they were already dancing. Before I went to my first dance, the snowshoer warned me about cutting in. “The townies who go to the academy are not very welcome at the high school dances, Adam—just don’t cut in,” Elliot had told me.