Chapters (46)
- Cover
- Also by Phillip B. Williams
- Epigraph
- Final First Poem
- Of the Question of Self and How It Never Quite Gets Answered
- Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
- Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
- Order of Events
- Final Poem for a King
- And Now Upon My Head the Crown
- Tabula Rasa
- Final Poem for War During War
- Interlude: Sasa and Zamani
- Final Poem for Amiri Baraka
- The Flying African
- Mushmouf’s Maybe-Crown
- Final Poem for the Crow
- Final Poem for the “Black Body”
- January 1, 2018
- Final Poem as Tidalectic Elegy
- Herald
- The Field
- Hunter
- Final Poem for the Deer
- Final Poem as Nocturne into Aubade, or Sonrise
- Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
- Black Joy
- Judgment
- Final Poem for the Famous Poet
- January 28, 1918
- Final Poem for the Bullet
- “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
- Final Poem for the Moon
- The Void
- Final Poem for My Father Misnamed in My Mouth
- Final Poem for the “Field of Poetry”
- The Asphodel
- Shame
- Final Poem for Grandma Elizabeth’s Cancer
- Final Poem of Persona
- Mastery
- In the Beginning
- NOTES
- ACKNOWLEDGMENTS
- About the Author
- What’s next onyour reading list?
ORDER OF EVENTS
First, he taught us to use the dead as shawls
in the viscous winter escorting his arrival.
Next, he taught us to forget the dead
were dead, our dead, and dead because of a wager
we did not consent him to make with the thin-lipped
savior of his own pantomime. Third, he delivered
on promises that blew off the tops of homes
in places whose names he could not pronounce.
Uneasy lies the head that wears a crown
forced to fit a quiet country needing nothing
from a crown. Where once was honey unhived
competition. The drones meant for war
prepared for war. We dusted our shoulders
of Shadows’ silent reconnaissance, surveilled
as practice for a massacre we did not consent to.
The royal parade pride’s malady stomped
its sequence through beat drums of human skin
from which emanated a rhythm impossible
to decipher. I too would shake my ass
to the sound of stars falling night-
wise into a pit of myth-bent nomenclature
if the names sounded like home. Under eroding
circumstances, this kingdom could become home.
Under eroding circumstances, my gasp
has become home enough, love not
consented to yet detected from beneath
my mindless right hand pressing its devotion
to ritual over my heart, flag above waving heaven
and blood into the smoke-diffused sky I
quake my way through anthems beneath. Rockets
glaring off my breath forced to evidence I belong.
The crown is crooked. We straighten it
with vote-vapid hands. The crown sits too heavy
for the king to carry on his own. When it falls,
“O say can you see” strikes its inquisition.
My knees, summoned to straighten at the hinges
permission most questionably opens from,
spike the earth with a kiss. Could I
kneel my way to revolution?
Would that goad the king to unzip?