Chapters (46)
- Cover
- Also by Phillip B. Williams
- Epigraph
- Final First Poem
- Of the Question of Self and How It Never Quite Gets Answered
- Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
- Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
- Order of Events
- Final Poem for a King
- And Now Upon My Head the Crown
- Tabula Rasa
- Final Poem for War During War
- Interlude: Sasa and Zamani
- Final Poem for Amiri Baraka
- The Flying African
- Mushmouf’s Maybe-Crown
- Final Poem for the Crow
- Final Poem for the “Black Body”
- January 1, 2018
- Final Poem as Tidalectic Elegy
- Herald
- The Field
- Hunter
- Final Poem for the Deer
- Final Poem as Nocturne into Aubade, or Sonrise
- Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
- Black Joy
- Judgment
- Final Poem for the Famous Poet
- January 28, 1918
- Final Poem for the Bullet
- “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
- Final Poem for the Moon
- The Void
- Final Poem for My Father Misnamed in My Mouth
- Final Poem for the “Field of Poetry”
- The Asphodel
- Shame
- Final Poem for Grandma Elizabeth’s Cancer
- Final Poem of Persona
- Mastery
- In the Beginning
- NOTES
- ACKNOWLEDGMENTS
- About the Author
- What’s next onyour reading list?
That borderlands have also been called “frontiers.”
That some believe there is a crossable border between
human and savage that should not be crossed.
That some believe they are the sole “human” who could
never become something less.
That some believe “human” is our ontological apex.
That the “savage” finds its shape in the mind of
the “human.”
That the Texas Rangers, U.S. Cavalry, and four ranchers
shot those fifteen men and boys in the “wilderness.”
That the wildest field is the imperial imagination.
That Captain Fox called the fifteen men and boys
“bandits” on their own land.
That the bodies of the killed were discovered by Henry
Warren, an Anglo-American schoolteacher, and his
student, Juan Flores (13), son of Longino Flores.
That a son had to find his father’s corpse that way.
That anyone must find a corpse and relate to it against the
routine of living, against memory.
That the remaining residents of Porvenir returned to
Porvenir and brought their dead back with them to
Mexico for burial.
That the dead had to cross two borders: living to dead,
home to exile.
That this is the seal and perfection of exile: revision.
That the U.S. Army razed the town of Porvenir,
which translates in English to “future.”
Manuel Moralez (47), Román Nieves (48), Pedro Herrera (25)
What is the Anglo-American wilderness if not an abomination of the mind, an exaltation of the mind’s tumult?
In what organ does the never-seeing of brown faces begin?
How to incorporealize another with such ease, citizenship made invalid by a want?
Extralegal: a feral Anglo amendment.
What do we call the frontier of the unexplored wilderness that was the Texas Rangers’ ferality?
What Anglo deed for the deed to the land?
What do we make of the fifteen killed being both shot and stabbed?
What was summoned during that rite, magic slapping the ass of massacre?
We are captivated by the possibility of a freedom impossible to receive from the ones who promised it.
Antonio Castanedo (72), Severiano Herrera (15), Juan Jiménez (16)
Myth: The 140 survivors of the massacre did not need
to carry back the dead from where they were left dead.
When they abandoned Porvenir for refuge, the dead stood
like Christ, fingered each other’s wounds, and the wind
said, Yes, this is banishment where once was flesh. They walked
in the country of their families’ shadows as they crossed
the Rio Grande into Chihuahua. They hitched
their feet to a raft of air and glided across the water behind
their loved ones, who, when the youngest one turned,
all turned and saw the fifteen men and boys wedded
to their 140 umbras darkening the future behind
their leaving. When asked if the fifteen were alive or dead,
the wind said, They are home. They are in your hands.