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Chapters (46)
  1. Cover
  2. Also by Phillip B. Williams
  3. Epigraph
  4. Final First Poem
  5. Of the Question of Self and How It Never Quite Gets Answered
  6. Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
  7. Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
  8. Order of Events
  9. Final Poem for a King
  10. And Now Upon My Head the Crown
  11. Tabula Rasa
  12. Final Poem for War During War
  13. Interlude: Sasa and Zamani
  14. Final Poem for Amiri Baraka
  15. The Flying African
  16. Mushmouf’s Maybe-Crown
  17. Final Poem for the Crow
  18. Final Poem for the “Black Body”
  19. January 1, 2018
  20. Final Poem as Tidalectic Elegy
  21. Herald
  22. The Field
  23. Hunter
  24. Final Poem for the Deer
  25. Final Poem as Nocturne into Aubade, or Sonrise
  26. Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
  27. Black Joy
  28. Judgment
  29. Final Poem for the Famous Poet
  30. January 28, 1918
  31. Final Poem for the Bullet
  32. “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
  33. Final Poem for the Moon
  34. The Void
  35. Final Poem for My Father Misnamed in My Mouth
  36. Final Poem for the “Field of Poetry”
  37. The Asphodel
  38. Shame
  39. Final Poem for Grandma Elizabeth’s Cancer
  40. Final Poem of Persona
  41. Mastery
  42. In the Beginning
  43. NOTES
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. What’s next onyour reading list?

FINAL POEM FOR THE BULLET

When the bullets overhead ricocheted

off the metal fence and junk cars grave-

stoning the junkyard, and when my uncle

shouted for me and my friend to duck

beneath the torrent of lead zip-lining

the air from an unseen source,

and when screams scratched throats keenly

till echoing the bullet din approaching no target

with aim or intention precise enough to reach

anyone but the innocent, and when my legs

refused to unfold from beneath me to follow

friend and uncle through the gangway

of a neighbor’s house until being alone

was more frightening than hot shells

finding all the ways to smolder through, and when

my brutal desire to live led me to safety

acquired in an alley where rat corpses perfumed

away gun smoke of which I’d grown nostalgic,

and when laughter broke from our lungs

as if surviving didn’t mean tomorrow’s fury

could second-chance us toward alternative deaths,

and when I look back within myself at the pleasure

fear made possible, and when my ten-year-old breeziness

degraded to damn, we alive and the piss-sprayed,

Colt .45, crackpipe-laden alley corroborated

echoes of my voice in the climate of what tried

to kill us—the weather itself cracking its neck

into thunder until an hour’s dismantling

manifested a system of continuous reckoning

with the possibilities of every broken bottle

mirroring my prostration’s erotics. And if when

I think back to that alley leading to an empty

lot where a house of addictions once laughed

from glassless windows, if I render this re-

memory to reclaim that bullet-lost child, and if

I find him glistening like a just-born species,

wearing the eyes of my mother and the lips

of my father, holding a sword in one hand

and a scale in the other, counting backward

from ten, as when in the hollow of a nightmare

the nightmare’s attendee suspects zero’s nothing

brings back the world the nightmare fed from,

as if at the end of the end was a lesson,

as if at the end of the end was a form?

“Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965