Chapters (46)
- Cover
- Also by Phillip B. Williams
- Epigraph
- Final First Poem
- Of the Question of Self and How It Never Quite Gets Answered
- Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
- Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
- Order of Events
- Final Poem for a King
- And Now Upon My Head the Crown
- Tabula Rasa
- Final Poem for War During War
- Interlude: Sasa and Zamani
- Final Poem for Amiri Baraka
- The Flying African
- Mushmouf’s Maybe-Crown
- Final Poem for the Crow
- Final Poem for the “Black Body”
- January 1, 2018
- Final Poem as Tidalectic Elegy
- Herald
- The Field
- Hunter
- Final Poem for the Deer
- Final Poem as Nocturne into Aubade, or Sonrise
- Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
- Black Joy
- Judgment
- Final Poem for the Famous Poet
- January 28, 1918
- Final Poem for the Bullet
- “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
- Final Poem for the Moon
- The Void
- Final Poem for My Father Misnamed in My Mouth
- Final Poem for the “Field of Poetry”
- The Asphodel
- Shame
- Final Poem for Grandma Elizabeth’s Cancer
- Final Poem of Persona
- Mastery
- In the Beginning
- NOTES
- ACKNOWLEDGMENTS
- About the Author
- What’s next onyour reading list?
Judgment
JUDGMENT
I stand where I would have been covered
in falling blood—the point of the pierced
body—my reflection in the bronze skin
of Christ sculpted into crucifixion, hanging as if just
put into history, His brown head at the nadir
of its nod as if the very floor had summoned Him
to look, He eternally forced into this position
that both casually welcomes and warns,
neither of which I wanted, which makes it
difficult to look, so I stare, instead,
at the marble floor’s swirl of frost
and liquid bone, of tempestuous fog,
swirling the way I imagine
squalls inside the body, squalls shape-
shifting like a story passed
between lips where the flesh is
soft and the story’s plot—as twisted
as the chimera with its lion’s head,
its snake’s tail, its goat’s body, a thing
to fear, to worship, to sacrifice—the plot
billows like smoke from the bronze
stomach of the Sicilian bull
where three human skulls were removed;
I name them Perilous, Dictum,
and a name I will not share
with you, no, but I will share that sage
and frankincense breathed out
from beneath burnt bodies was like a name
to a kingdom of appetite and sweetness spoken,
charred skin raised like hands eager to claim
the naked bodies dancing around it,
their sweat seasoning the air, this the story
told to me: screams crawled through a pipe
into an emperor’s chamber, spurious
music, bones of the roasted victims shone
brilliantly once the bull’s belly-door opened,
opal, pearl, the many things a body can
become, skeletal towers, well-chiseled
testimonies woven into necklaces,
an adornment warm as touch.
Final Poem for the Famous Poet
FINAL POEM FOR THE FAMOUS POET
Woundwondered, they circle
you: headless monument erosion had—
before they thought they knew you though did not—
claimed.
Thick fog hides shoulder-up your unhead, hides
your excellent circumscribed height beneath
which, chanting, unaware,
they wreath your senseless marble feet.
They loudwrath where loud finds no place to enter
you and enter their own unthought: rage-
bright beacon to nowhere
that had they unfollowed, had they retraced their steps
away from their own unimagining—?
Ozone settles your barren shoulders that are more
like than unlike their our-mouths-open-our-heads-mourning-
ourselves selves.