Back Mutiny Save as PDF
Chapters (46)
  1. Cover
  2. Also by Phillip B. Williams
  3. Epigraph
  4. Final First Poem
  5. Of the Question of Self and How It Never Quite Gets Answered
  6. Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
  7. Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
  8. Order of Events
  9. Final Poem for a King
  10. And Now Upon My Head the Crown
  11. Tabula Rasa
  12. Final Poem for War During War
  13. Interlude: Sasa and Zamani
  14. Final Poem for Amiri Baraka
  15. The Flying African
  16. Mushmouf’s Maybe-Crown
  17. Final Poem for the Crow
  18. Final Poem for the “Black Body”
  19. January 1, 2018
  20. Final Poem as Tidalectic Elegy
  21. Herald
  22. The Field
  23. Hunter
  24. Final Poem for the Deer
  25. Final Poem as Nocturne into Aubade, or Sonrise
  26. Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
  27. Black Joy
  28. Judgment
  29. Final Poem for the Famous Poet
  30. January 28, 1918
  31. Final Poem for the Bullet
  32. “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
  33. Final Poem for the Moon
  34. The Void
  35. Final Poem for My Father Misnamed in My Mouth
  36. Final Poem for the “Field of Poetry”
  37. The Asphodel
  38. Shame
  39. Final Poem for Grandma Elizabeth’s Cancer
  40. Final Poem of Persona
  41. Mastery
  42. In the Beginning
  43. NOTES
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. What’s next onyour reading list?

Judgment

JUDGMENT

I stand where I would have been covered

in falling blood—the point of the pierced

body—my reflection in the bronze skin

of Christ sculpted into crucifixion, hanging as if just

put into history, His brown head at the nadir

of its nod as if the very floor had summoned Him

to look, He eternally forced into this position

that both casually welcomes and warns,

neither of which I wanted, which makes it

difficult to look, so I stare, instead,

at the marble floor’s swirl of frost

and liquid bone, of tempestuous fog,

swirling the way I imagine

squalls inside the body, squalls shape-

shifting like a story passed

between lips where the flesh is

soft and the story’s plot—as twisted

as the chimera with its lion’s head,

its snake’s tail, its goat’s body, a thing

to fear, to worship, to sacrifice—the plot

billows like smoke from the bronze

stomach of the Sicilian bull

where three human skulls were removed;

I name them Perilous, Dictum,

and a name I will not share

with you, no, but I will share that sage

and frankincense breathed out

from beneath burnt bodies was like a name

to a kingdom of appetite and sweetness spoken,

charred skin raised like hands eager to claim

the naked bodies dancing around it,

their sweat seasoning the air, this the story

told to me: screams crawled through a pipe

into an emperor’s chamber, spurious

music, bones of the roasted victims shone

brilliantly once the bull’s belly-door opened,

opal, pearl, the many things a body can

become, skeletal towers, well-chiseled

testimonies woven into necklaces,

an adornment warm as touch.

Final Poem for the Famous Poet

FINAL POEM FOR THE FAMOUS POET

Woundwondered, they circle

you: headless monument erosion had—

before they thought they knew you though did not—

claimed.

Thick fog hides shoulder-up your unhead, hides

your excellent circumscribed height beneath

which, chanting, unaware,

they wreath your senseless marble feet.

They loudwrath where loud finds no place to enter

you and enter their own unthought: rage-

bright beacon to nowhere

that had they unfollowed, had they retraced their steps

away from their own unimagining—?

Ozone settles your barren shoulders that are more

like than unlike their our-mouths-open-our-heads-mourning-

ourselves selves.

January 28, 1918