Back Mutiny Save as PDF
Chapters (46)
  1. Cover
  2. Also by Phillip B. Williams
  3. Epigraph
  4. Final First Poem
  5. Of the Question of Self and How It Never Quite Gets Answered
  6. Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
  7. Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
  8. Order of Events
  9. Final Poem for a King
  10. And Now Upon My Head the Crown
  11. Tabula Rasa
  12. Final Poem for War During War
  13. Interlude: Sasa and Zamani
  14. Final Poem for Amiri Baraka
  15. The Flying African
  16. Mushmouf’s Maybe-Crown
  17. Final Poem for the Crow
  18. Final Poem for the “Black Body”
  19. January 1, 2018
  20. Final Poem as Tidalectic Elegy
  21. Herald
  22. The Field
  23. Hunter
  24. Final Poem for the Deer
  25. Final Poem as Nocturne into Aubade, or Sonrise
  26. Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
  27. Black Joy
  28. Judgment
  29. Final Poem for the Famous Poet
  30. January 28, 1918
  31. Final Poem for the Bullet
  32. “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
  33. Final Poem for the Moon
  34. The Void
  35. Final Poem for My Father Misnamed in My Mouth
  36. Final Poem for the “Field of Poetry”
  37. The Asphodel
  38. Shame
  39. Final Poem for Grandma Elizabeth’s Cancer
  40. Final Poem of Persona
  41. Mastery
  42. In the Beginning
  43. NOTES
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. What’s next onyour reading list?

THE FIELD

The battered field is hateful without remorse,

is as seductive as what is familiar: a wild horse

who long ceased being horse, had become beauty itself

failing as the field has failed or someone has failed

the field with overuse, the gray soil too sparse,

its blond grass in tight nubs and stiff as scimitars

that jut from the earth as declarations of war.

The barrenness cannot feed the hares who feed

the foxes who feed the bloodlust of men.

There is a leafless dogwood stunted

in its naked reach. A storm rolls over

the jagged boughs raking the black air’s

softened belly until lightning clarifies its scars.

Scimitars could scar a belly with their sharpness,

with their curves like a gleaming succubus

sliding on each nerve’s nylon until the harp is

undone. Or the harp is played to the tune

wind makes undressing an arid field. This is love

if someone says so. A man weeps

to soft music in his house though nothing

can hear him outside his window, his cry

a ripple in a pond after a frog leaps out

then leaps back in, a word spoken

by mistake that the speaker wants to take back.

The word could be like love too if broken,

more broken than the shrill gate outside

swinging open then shut, obliterating entrance

and exit. Here waits the god whose flute reveals and hides

the way. She is mischievous with her song

coming off the rusted hinges. The gate is edged

by two stone pillars, both topped with pots

once holding lavender, now holding moldy soil,

one sweet smell deposed by another. Rot

and the bones left bare is the story of the hare and fox

while the felled horse crafts the field’s ugliness.

Its wraith hooves crush the ground. Let the gate

squeal shut against that bestiary. The world’s

revision of itself roils through the sky. Storm

of bruised clouds, lightning and the last living beast

revealed in bursts: first its outline. Next its distant

maw made clear in that moment of light. Then two

cobalt eyes, an abacus by which to count the days.

Hunter

HUNTER

When you were mine though not

mine at all permanently, just a body

for loneliness, a loneliness interrupted,

interruptive—

the sky opened like a secret in a mouth

mouth with a word in it

word with an arrowhead in its flank: Love, small

creature it was

crying in the night beneath me

Final Poem for the Deer