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Chapters (46)
  1. Cover
  2. Also by Phillip B. Williams
  3. Epigraph
  4. Final First Poem
  5. Of the Question of Self and How It Never Quite Gets Answered
  6. Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
  7. Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
  8. Order of Events
  9. Final Poem for a King
  10. And Now Upon My Head the Crown
  11. Tabula Rasa
  12. Final Poem for War During War
  13. Interlude: Sasa and Zamani
  14. Final Poem for Amiri Baraka
  15. The Flying African
  16. Mushmouf’s Maybe-Crown
  17. Final Poem for the Crow
  18. Final Poem for the “Black Body”
  19. January 1, 2018
  20. Final Poem as Tidalectic Elegy
  21. Herald
  22. The Field
  23. Hunter
  24. Final Poem for the Deer
  25. Final Poem as Nocturne into Aubade, or Sonrise
  26. Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
  27. Black Joy
  28. Judgment
  29. Final Poem for the Famous Poet
  30. January 28, 1918
  31. Final Poem for the Bullet
  32. “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
  33. Final Poem for the Moon
  34. The Void
  35. Final Poem for My Father Misnamed in My Mouth
  36. Final Poem for the “Field of Poetry”
  37. The Asphodel
  38. Shame
  39. Final Poem for Grandma Elizabeth’s Cancer
  40. Final Poem of Persona
  41. Mastery
  42. In the Beginning
  43. NOTES
  44. ACKNOWLEDGMENTS
  45. About the Author
  46. What’s next onyour reading list?

Final Poem for War During War

FINAL POEM FOR WAR DURING WAR

Questions for the war poem to host:

Who among us could weave one ghost

into another? Where find water hosted

but in the tulip’s snapped back and tilted

cup? How count the escaped’s speed by silt

dragged from one ruin to another? Wilt,

sings the sky’s dayfabric unwoven into grayscale

as though night could coax from a star a paler

face, but when night arrives on the felled

back of a mule winged on either side by baskets

of water and rotten grapes, what verb is tasked

with this weight? How many missiles cast

their light above a child’s gait? When do lions,

banished to the hills, water their hunger, lie on

their roars till the vultures pile on?

How many ways can I write exile

having myself never been exiled?

What is the face of exile

besides the one hidden beneath the pyre

of music peeling from a liar’s

head? Bless the maenads, that they retire

only after this laughable poet is dead.

Interlude: Sasa and Zamani

INTERLUDE: SASA AND ZAMANI

Because you were ancestor, because living dead and loved, in your necessary addiction you toed the roots of the banyan tree from underground, fiddling with your skullcap while saying my name in a mirror of groundwater. I saw you just the other day standing in the corner of my room at the corner of my eye, cornering my truth like a panther, remaining quarter-visible while I typed you into half-recollection, into forever the hand that held mine then undid the holding. Because I refuse to look the dead in the eye, I minded you like I mind dark shapes darting peripheral after I leave a room. My Egbe have hungers. My living makes room for finite cycles, a staircase spiraled to a point. If I die after my younger sister, you will become unknown, mortal-proofed. On the altar for my ancestors, I leave for you my favorite candy. You will love what I love. Florida water flares citrus from your obituary’s fold. You were sweet when you were here. Forever be my father in your becoming forever.

Final Poem for Amiri Baraka