Chapters (46)
- Cover
- Also by Phillip B. Williams
- Epigraph
- Final First Poem
- Of the Question of Self and How It Never Quite Gets Answered
- Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
- Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
- Order of Events
- Final Poem for a King
- And Now Upon My Head the Crown
- Tabula Rasa
- Final Poem for War During War
- Interlude: Sasa and Zamani
- Final Poem for Amiri Baraka
- The Flying African
- Mushmouf’s Maybe-Crown
- Final Poem for the Crow
- Final Poem for the “Black Body”
- January 1, 2018
- Final Poem as Tidalectic Elegy
- Herald
- The Field
- Hunter
- Final Poem for the Deer
- Final Poem as Nocturne into Aubade, or Sonrise
- Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
- Black Joy
- Judgment
- Final Poem for the Famous Poet
- January 28, 1918
- Final Poem for the Bullet
- “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
- Final Poem for the Moon
- The Void
- Final Poem for My Father Misnamed in My Mouth
- Final Poem for the “Field of Poetry”
- The Asphodel
- Shame
- Final Poem for Grandma Elizabeth’s Cancer
- Final Poem of Persona
- Mastery
- In the Beginning
- NOTES
- ACKNOWLEDGMENTS
- About the Author
- What’s next onyour reading list?
FINAL POEM FOR A KING
I used to be friends with a man who raped a woman
whom he told was too dark for anyone to believe
though he himself was no lighter than the blackhole
he had become which means he did not believe
himself thus hated himself and will hate beyond himself
though he did not know it at the time that to rape
a Black woman was to hate the world and to be dead
to want to be dead to need to be dead because to be
born from one’s unfounded hatred is to be wholly
and forever zero to the white meat and she
the woman who shared her story had been for years
holding on to his violence his hatred toward her
handed off like a clue as in “What do you know
of yourself?” as in “My hatred birthed me, now so will you.”
I often think of that woman, whose name
was left unshared and I wouldn’t share it
even if I knew it—nor will I share his name for the law
he claims to hate for its whiteness has protected
his black revulsion, his silence an empire’s
gift to its willing slave—and I wonder how much
room there is in the world for her and how much
room have others taken from her and how her story
did not stop those who heard it from, months later,
sitting in a room with her rapist, smiling, allowing,
and how the rooms of their hearts had no space
for her either, though hadn’t she taken a step past
their thresholds, been invited in, not knowing
she had entered through the back door like a secret?
In undergrad, an acquaintance I had grown to love
told me her father had used the times of her mother’s
absence to—
I don’t know why she trusted me
to tell me this so casually in a burger joint.
And I remember wanting her to cry
because I wanted to cry but could not cry
and why could I not cry and how else do I
show her that I hear I care I believe her and she
thanked me for listening while I sat petrified
in half-smile like a delinquent who committed
a crime and almost got away thinking more
of myself than of her as is the way of men
who want most to be the unasked-for
white knight in an already-fought war.
His childhood friend, a teenage girl
when he was six. Their older cousin, fifteen,
and they were eight. His babysitter, her saying,
“Keep this between us.” Their aunt’s best friend
while the aunt ran an errand: “Girl, of course
I’ll watch him. He my lil husband.” His neighbor
who put his hand between his legs.
His teacher whom he impregnated at fifteen.
A woman his father paid and watched as they did it—
Adults in my life have come to me as the children
they were when touched too soon and asked me
if they did something wrong. I say “no” and “therapy”
and “You didn’t deserve . . .” They ask me if I’d ever
been touched too soon. I say, “I don’t remember.”
No woman in my family will tell me
what happened and I can’t tell them
I already know had been in the other
room sometimes when it happened
heard the slaps come down heard stop
ring out from my ______ heard the names
heard the threats heard the quiet after
heard about the boy who pushed
my ______ off the bus about the partner
who cut my _______ across the eye the one
neighbor carefully walking up the stairs
and my _______ running to the front door
to lock it only to have to run to lock the back
door too and the knob jiggling, jiggling, ji—
If I could kill them all, God: know I would.
I’m no saint. I too have wielded a knife
to execute someone I love more than myself
because a child’s rage is mercurial.
I could remember that feeling, that gilded heat.
If I could kill them all, God. Know I would
take my time. Would make a game of it. Often,
I sit daydreaming of hunting down rapists
in abandoned factories. Call me Jigsaw. I’ll nod
my wooden head, a yes they never saw coming.
If I could kill them all, God, know I would.
Just call them all Isaac and I’ll make them my sons.
If I could kill them all, God. Know I wouldn’t
even wash my hands after. Wouldn’t need permission.
When I was younger, I had a recurring dream
of an elderly man in a wheelchair tickling me
until it was not fun anymore. The dream stopped
some years into adolescence. I read somewhere
that repression leaves unlocked doors in the mind
you think are locked or merely empty rooms. Signs
that these rooms exist may never appear. I hear
nothing when I close my eyes, alone with myself,
and see the entrance into me expectantly open,
empty halls in memories where doors are blown
off hinges, rooms evacuated, torn white fabric draping
from the walls. There’s a condemned house in me.
I look for him in every sun-filled room,
but every beam of light and room is him.