Chapters (46)
- Cover
- Also by Phillip B. Williams
- Epigraph
- Final First Poem
- Of the Question of Self and How It Never Quite Gets Answered
- Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
- Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
- Order of Events
- Final Poem for a King
- And Now Upon My Head the Crown
- Tabula Rasa
- Final Poem for War During War
- Interlude: Sasa and Zamani
- Final Poem for Amiri Baraka
- The Flying African
- Mushmouf’s Maybe-Crown
- Final Poem for the Crow
- Final Poem for the “Black Body”
- January 1, 2018
- Final Poem as Tidalectic Elegy
- Herald
- The Field
- Hunter
- Final Poem for the Deer
- Final Poem as Nocturne into Aubade, or Sonrise
- Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
- Black Joy
- Judgment
- Final Poem for the Famous Poet
- January 28, 1918
- Final Poem for the Bullet
- “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
- Final Poem for the Moon
- The Void
- Final Poem for My Father Misnamed in My Mouth
- Final Poem for the “Field of Poetry”
- The Asphodel
- Shame
- Final Poem for Grandma Elizabeth’s Cancer
- Final Poem of Persona
- Mastery
- In the Beginning
- NOTES
- ACKNOWLEDGMENTS
- About the Author
- What’s next onyour reading list?
FINAL POEM FOR THE BIOGRAPHY OF A BLACK MAN AS ANIMAL AND HIS ENFORCED EMBRACE OF A HUMAN PRAXIS
Slaughter lurks in the afterpasture. Perhaps
Being being blurred in the legible demands self-
captivity: his tail whipped mind-wise
tight circles of animus, or draped, equine. Flies
decorate the wake of his imagined stampede.
He was just walking, sweetie. Chewing gum,
not hay. It is exhausting to explain his non-horns
tearing through the thin gauze of civilization:
what is believed to be true must convince. Faith,
then, a requisite text, as the Lamb is to God?
Though bipedal and asthmatic, he was made centaur,
synching briefly humanity to his half-life; it made sense
where he stood that he stood on fours when sad,
like a chair carved Trojan, carted into his life,
that he could neither sit in nor shake colonizers from.
His human half shivered pronouncements
while his buck bottom flattened the field;
the meniscus of the meeting halves ahiss
with hair smooth as clay and skin
the same color, dull as a shy twin.
Brusquely present, the centaur’s precise measurements—
snout to kitchen where a blade-sharp fade sunsetted—
were bestiaried palpable, flanking love-letter
marginalia for his dick stretched by bewildering estimates
and inquiries about his fondness for trees and bones.
There was a poet in him cadavered
by liturgy: I am, I am, I am his ruptured
correspondence, his bewitched ontology
he could no more stamp out than stomp
clear its fire-fucked flag of himself.
He grows tired of proving his humanness without
his permission, for the language won’t cohere
to his nature, won’t make praying away the hooves
in the minds of others secede from his neigh
of perfect speech. He heeds neither indecency.
The beast squats on his chest
and the human writes its full-
of-itself self into full self in a form
he is rack-pulled into or trough-bent grandly over,
while moralists taxonomize his grandmas’ pleasure.
“The ancestors died for—” but the living
talk over the dead to protect their sons,
thinking the chains’ clink a ghost leash,
but the man knows no dogs span these thrones
neither whip nor Bible could dismantle.
The centaur is dead and so is its maker.
The man removes his clothes and feels.
He does not want to be paw or possible.
He wants to be alone, private, not your agreement.
He wants impossible. Unlearnèd without reign.
Black Joy
BLACK JOY
“I would like to help someone to live after my death”
—written on a donor card