Chapters (46)
- Cover
- Also by Phillip B. Williams
- Epigraph
- Final First Poem
- Of the Question of Self and How It Never Quite Gets Answered
- Final Poem for the White Students Next Door Who Say “Nigga” When Singing Along to Rap Songs Loud Enough for Me to Hear
- Final Poem as Request for Maskot for White-Ran Journal, or “They Sure Do Love Them Some Black Pain.”
- Order of Events
- Final Poem for a King
- And Now Upon My Head the Crown
- Tabula Rasa
- Final Poem for War During War
- Interlude: Sasa and Zamani
- Final Poem for Amiri Baraka
- The Flying African
- Mushmouf’s Maybe-Crown
- Final Poem for the Crow
- Final Poem for the “Black Body”
- January 1, 2018
- Final Poem as Tidalectic Elegy
- Herald
- The Field
- Hunter
- Final Poem for the Deer
- Final Poem as Nocturne into Aubade, or Sonrise
- Final Poem for the Biography of a Black Man as Animal and His Enforced Embrace of a Human Praxis
- Black Joy
- Judgment
- Final Poem for the Famous Poet
- January 28, 1918
- Final Poem for the Bullet
- “Ne Me Quitte Pas”: I Put a Spell on You: Nina Simone: 1965
- Final Poem for the Moon
- The Void
- Final Poem for My Father Misnamed in My Mouth
- Final Poem for the “Field of Poetry”
- The Asphodel
- Shame
- Final Poem for Grandma Elizabeth’s Cancer
- Final Poem of Persona
- Mastery
- In the Beginning
- NOTES
- ACKNOWLEDGMENTS
- About the Author
- What’s next onyour reading list?
JANUARY 28, 1918
Porvenir, Texas
Myth: In the Book of America, the desert cracked open once
the inquisitors coveted the questioned’s land. Livestock
fell diseased when the clamorous mob appeared
at the townspeople’s doors. Night-woven wings eclipsed
logic. That the mob visited twice, both times
unblinking stars measle-ing the sky, both times “prisoners”
taken. After the first taking, the “prisoners” returned.
After the second, torn from the Book of America,
the mob killed fifteen men and boys. And the irrigated water
from the Rio Grande leapt up, rejected the bloodied earth.
The crops dropped to the ground and crawled into
a decaying sleep. One hundred forty survivors packed their eggs and books
and escaped to Mexico. When they crossed the river, they turned
into hues of blue, the sound of an owl unspooling its prey.
Eutimio Gonzales (37), Longino Flores (44), Alberto García (35)
To poeticize could be and often is interpreted as “to make beautiful.”
What is the border between tragedy and beauty?
The tragedy is the Porvenir Massacre of 1918.
What now of beauty?
To poeticize could mean to view more deeply and invest in the risk of what is found, as in “to speculate.”
Speculate
Latin
specere
(to look)
specula
(watchtower)
speculari
→speculat-
(observed from a vantage point)
speculate
late sixteenth century
Spectacle
Latin
specere
(to look)
spectare
→spectaculum
(a public show)
Old French
spectacle
Middle English
To make, from one’s sight, a performance of what has been seen or a re-creation of the act of seeing.
Where to see means “to imagine.” To write truth or write torture?
With generosity or with a torch lit under history’s feet?
One could be speculative, as in:
The cavalry’s horses bow in the afterbirth
of clamor, blood in their hoofprints’ bowls,
blood imitating bush shade and widow skirt, blood
veining desert sand down the spiral staircase
of its seeping. And who descends the decline, soft grave,
footprints breeze-wiped from the map? Blood
in the mesquite, pyrrhuloxia singing bloodsong bush
to bush, a red flock burning the bush. Let God speak
of bullets painted fifteen shades of red and elders
taking turns returning their sleep to hollow houses
housing wind in their windowless skulls—
but in service to whom or what? A hoof
of the beast of beauty imprinted on the page,
but beauty’s hide hides the history.
Viviano Herrera (23), Pedro Jiménez (25), Serapio Jiménez (25)
Fiction: Fifteen men and boys of Mexican descent visited me in a dream on the anniversary of their murders.
Fact: Avoiding the constant onslaught of media concerned with a presidential candidate incapable of correctly pronouncing Iran, I made my way to Instagram in search of solace and found, instead, a photograph on the Zinn Education Project of Longino Flores, a resident of Porvenir and victim of the massacre. In the photo, he is surrounded by family.