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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

She’d told Jane that she had ‘fantasised’ about doing it, but had never done it. But it was clear that this was a lie. She had often spoken of travelling to Paris, and Jane now believed that she had probably played this identical charade scores of times. First, she would have driven her lovers wild in her bed, then she would have flattered them with talk of their exceptionality and asked them if they wanted to ‘go further’ in their debauch – and they would have assented, just as she had assented, because nobody could refuse Julietta Sims. After that, she would have brought them here, and then …

Jane’s mind turned back to the racks of costumes, still perfumed with the stink of sorrow and decay, even with the stale effusions of desire. In the shadowy little cubicle behind the silk curtain, she began to feel faint and sick. She was burning hot, then icy cold as sweat began to pour down her back. She flung away the top hat and dragged her arms free of the coat.

She was tearing at the bow tie when Julietta returned with a triumphant smile on her face, babbling that Monsieur Tirard had given her ‘the very perfect thing we are going to need’.

‘It’s very expensive,’ she whispered breathlessly, ‘but we will enjoy it so much, we might die of pleasure …’

It was only then that Julietta noticed that Jane was taking off the green-and-black outfit.

‘Stop!’ she said. ‘We’re going to buy the costume, Jane, and I am going to take us to be photographed together, with you wearing it … “Monsieur and Madame”.’

But Jane was now stepping out of the trousers and reaching for her own clothes.

‘I’m sorry, Julietta,’ she said. ‘But I don’t want to do this.’

Julietta immediately went to Jane and held her close against her breast, boldly sliding her hand between her legs, beginning to chafe her there and saying gently, ‘You’re shocked, my dearest. I understand. I thought you might be. I know I’m very, very wicked, but you will see—’

‘You are only “wicked” because you lied to me.’

‘Lied to you?’

‘You said you’d never done this before, but it’s clear from the way you’re friendly with Monsieur Tirard—’

‘Hush, Jane. Don’t be so bourgeois, or I will have to send you straight back to Bath. Of course I’ve done it before. I’ve travelled every road to ecstasy with women that you can imagine, and probably some that you can’t, because this is what I choose to do. But it is also to say nothing important at all, only to remind you that now I can be a very good lover to you. Isn’t this what you want? Does anything in the past matter one jot? Now, steady yourself and press harder against my hand. Like that, yes. You see how quickly you surrender to me?’

MORGUE

Dinner that evening was at the Café Anglais on the Boulevard des Italiens.