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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

Ashton and Miss Paley hurried to help him up, but Marco was a child who seldom cried; he just got to his feet and ran into his father’s arms.

‘Papa!’ he said, ‘do you know my horse’s name?’

‘Yes,’ said Ashton, kissing his son, ‘I believe I do. I think his name is Pippin.’

‘No!’ said Marco. ‘His name was Pippin, but now it is something else.’

‘Oh,’ said Ashton. ‘Did he not like the name Pippin?’

‘No. He didn’t like it.’

‘And he told you this?’

‘Yes, he did. Because he talks quite well, Papa. You don’t think he can talk, do you, but he can.’

‘On the contrary, I know that he talks very well. So what is his new name?’

‘It’s a secret, but I’m going to whisper it to you.’

‘Are you sure you should – if it’s really a secret?’

‘Yes. Put your ear here, Papa. His name is Trebuchet.’

‘Trebuchet?’

‘Yes. It’s my favourite new word. I learned it from a picture book. It’s a weapon for attacking castles. And Nanny says you have to say it Tray-boo-shay, not Tree-bucket.’

‘Oh,’ said Ashton, laughing, ‘but I rather like Tree-bucket! I think I even prefer it. Why not call your horse that: Tree-Bucket?’

Marco began giggling and Ashton thought that this was one of the sweetest sounds in the world, the happy laughter of his son. He hugged him close, then set him down to return to his rocking-horse.

‘Does Mama know about Pippin’s new name?’ asked Ashton.

‘Yes of course she does,’ said Marco. ‘Mama knows everything in the world.’

Made joyful by being with Marco, Ashton was about to suggest a game of spillikins, when Ellen appeared at the nursery door to tell Ashton that he had a visitor.

‘It’s Miss Adeane,’ said Ellen, ‘Miss Jane. She has some sad news to tell you.’

‘What sad news, Ellen?’

‘I don’t know, Sir. She is in the drawing room.’

‘I like Jane,’ said Marco. ‘She was here last night, wasn’t she, Ellen? She and Mama were laughing. I heard them.’

Ashton noticed that Ellen blushed as she nodded. He knew what all of this suggested, but it was Ashton Sims’s great and secret strength that knowing a potentially troubling thing only inclined him, not to apportion blame, but rather to alter his own perception of the matter, to steel himself to consign it to a part of his mind where it would no longer hurt him.

How many men could have done this? He wasn’t sure that many could, given what rules and constrictions husbands felt justified in laying upon their wives and how angry and violent they could become if these were broken. But Ashton was not of this temperament. And he knew that his love for Julietta had a kind of magnificent largesse about it. It was a world of love, a wide, accommodating terrain of affection. Ashton truly didn’t mind where his beauty of a wife sometimes took her pleasure, if that was her nature’s inclination, provided she did not leave him. That alone would have left him bereft and angry. His greatest hope and expectation was that they could have more children and live in the domestic contentment they had both striven to perfect for many years to come.