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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

New to all of this, knowing nothing of the ‘beauties’, when Julietta’s tongue touched the place she knew men dreamed of discovering in her, and she felt a white, pulsing delirium go through her, Jane cried out so loudly in wonder that Emmeline heard the cry two floors down, stopped in her work of tidying her studio and said to herself, ‘now I know something more of who Jane is’. But Jane no longer knew who she was, only that she had found Julietta and that she wished to make love to her for all eternity.

When Jane and Julietta at last descended to Emmeline’s studio, Julietta’s hair once more neatly put up by the tortoiseshell comb, Jane’s hand pressing against her lips, to conceal the small wound on them made by Julietta’s kisses, they found a note from Emmeline saying that she had gone out.

The two young women sat down by the fire and Julietta said, ‘I must leave very soon. Ashton will be home from his office and he likes to find me there.’

Jane got up and knelt down by Julietta’s chair and clung to her skirts and to her slim body beneath them.

‘What am I to do?’ she said.

‘Jane,’ said Julietta. ‘We must live in the world. We must conduct ourselves as though there was nothing between us.’

‘But how am I to do that?’ Jane asked. ‘I’ve never known love of this kind before. People will only have to glance at me to know what I feel.’

Julietta stroked Jane’s hair. ‘We are lucky,’ she said. ‘Your Aunt Emmeline has defied society in her life and she will understand, I think, how you might now wish to defy it – just a little. She may allow me to come here from time to time.’

‘From “time to time”! And what am I to do in the days and hours in between?’

‘You will live them. You will take walks along the river and go riding in the park. You will play bezique. You will read. You will sit quietly for your portrait.’

‘But I will scream out for you day and night.’

‘And I will sometimes scream for you. For your great height. For your strong arms. For your ankle which I first touched on the stairs. Then, I will come to Tite Street.’

‘Come tomorrow. Or come back tonight, in the middle of the night.’

‘You would ask me to leave Ashton’s bed in the early hours.’

‘Yes. You cannot love Ashton. You love women.’

‘I love both.’

‘You let Ashton make love to you?’

‘Yes. He’s my husband. And I would like to have another child.’

‘You have a child already?’

‘Yes. My son, Marco. He is four years old.’

Jane looked up at Julietta’s perfectly arranged features. Her thought was, I would like to be this little Marco, held in his mother’s arms, the object of her adoration, flesh of her flesh, the living manifestation of her future, her only boy, the one she will never leave until her death.