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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

At the bedside, Julietta had reached for Jane’s hand under the furs and kept rubbing it to try to warm it, then laid it against her cheek and kissed it and shed hot tears upon it. She saw the doctor staring at her when she did this, but she cared nothing for what he thought.

She had sent Nancy to run to Tedworth Square, to bring Ashton to her side. She herself was still shaking from the violence Valentine Ross had inflicted and was frightened that the wretched ‘fiancé’ might decide to return. The household needed Ashton’s protection. But more than this, if Julietta was going to lose Jane, she wanted the dear comfort of her husband and she had no doubt that he would give it. Whatever he knew or did not know about the erotic bond between the two women, his love for Julietta brought everything into the shelter of his forgiveness and acceptance. Moreover, she knew that he admired Jane – for her dedication to her work and for her wit. If she was now dying, Ashton Sims would wish to bear witness to that death.

While waiting for him to arrive, Julietta, speaking in a low voice, fearing to wake Jane from a sleep that might be beneficial to her, asked Dr Wood if he had lost patients before who had miscarried. He replied that he had. And in this case, too, there had been a fall and a haemorrhage which could not be staunched.

‘It is,’ he said, ‘a sad reflection on the state of medical knowledge that we know so much about bloodletting, but do not know how, under certain circumstances, to make the flow stop. We just have to trust to nature.’

‘What more can we do?’ asked Julietta.

‘Administer more laudanum presently. It lessens the shock of the pain and the brandy is a stimulus, which perhaps encourages new blood to form. But the next few hours will be telling. She will either be gone by nightfall or the bleeding will stop and she will begin a slow recovery.’

Silence then filled the room again. Jane’s breathing was so quiet, it reminded Julietta of the breathing of a child. And thoughts of her little Marco, alive and bounding about his nursery, filled her with sudden joy. And she thought how Jane would never know this happiness, now, of loving a child. The bits and pieces of her baby’s half-formed body had been strewn across the hall. The husband-to-be would never be allowed to return.

These thoughts led in turn to a decision in Julietta Sims which she never thought she would be able to make: if God would spare Jane Adeane, she would renounce her ‘beauties’. She cared nothing for them, only for the excitement of the showy orgasms she alone was able to give them. Henceforth, she would love only two people, Jane and Ashton. She would bring Ashton more frequently to her bed so that they might conceive another child, a child whom Jane could know from its babyhood and grow to love, along with its adoring parents. In this arrangement, provided she could still have Jane as her lover, she saw a beautiful triangular domestic felicity.