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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

It was difficult for Latimer to talk, but at length he said, ‘I am told I should not hope. But perhaps you will give me hope?’

‘Certainly I will,’ said Jane. ‘The waters have saved many lives, as I’m sure you know.’

‘You see,’ said Latimer in a choked whisper, ‘I have not yet overseen all the decorations to my upper floors. My workers are so slow and my wife is very vexed that nothing is complete …’

‘Well then,’ said Jane, ‘should we immerse your painters and plasterers in the Baths also, to try to hurry them up?’

A wan smile now creased Latimer’s wasted features. ‘Or drown them?’ he said.

‘Ah yes,’ said Jane, ‘although as a rule, we try not to drown people, don’t we, Father?’

‘As a rule,’ said Sir William. ‘Now, Mr Latimer, Jane will come with you in the chaise and oversee your immersion, and you will soon be feeling the great benefit of sulphur and steam. I will visit you at your house this evening.’

‘Yes,’ said Latimer. ‘Very good. But I remind you it is the old house you must come to, for the new is not yet ready for us. My men are such laggards …’

Now, Jane was helping Latimer to climb into the Hot Bath. In its jade-coloured depths, the trembling legs of the other patients could be seen, their modesty-gowns folding and unfolding around them, like the drapery on a frieze of Roman statues.

Latimer clung to Jane’s hand until he was immersed in the water up to his shoulders, but when he was in, he looked bewildered, as though something else was expected of him which he had not yet comprehended.

‘Shall I move about?’ he asked Jane.

‘You have no need to move,’ replied Jane. ‘Just feel yourself at rest in the water. But you may walk, or swim, if you feel strong enough. Try to breathe as deeply as you can.’

Jane was now looking down at Latimer’s head, where a few first stains of old age stippled his balding pate. What she – rightly – understood about this man was his overwhelming desire to remain in the world, to see his grand house completed, to marvel at decorated ceilings, at reeded skirtings and papered boudoirs. He was a person held to life by material splendour. Now he was forced to contemplate the loss of it all and Jane was able to imagine how hugely this filled him with despair – and this moved her.

Emmeline had reminded her that the human mind is capricious and does not always feel ‘appropriately’; it can mourn for the loss of those who have done little that is deemed admirable in the world. Told by her father that Latimer was a ‘wretched manufacturer of glue, who has made his fortune out of animal bones’, Jane nevertheless wished to make up her own mind about him and decided that she felt true compassion for his plight.

She watched Latimer wade out very slowly towards the centre of the Hot Bath and as he did so, a young woman, holding up a child in the water, approached her.