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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

She saw that his cheeks were pink, as though he’d been running and there was an agitation in him which she had never seen before. He held up the parcel.

‘I bring you this,’ he said. ‘I bring it in hope.’

Clorinda took off her apron. The late afternoon, with its visit to Henrietta Street (a house in great need of a good cleaning, she thought) had already been peculiar enough and what she now longed to do was to lie down on her bed and go fast asleep. Instead, she fell back into one of the tea-room chairs and couldn’t stop a long sigh escaping from her throat.

‘Clorinda,’ said Florian, ‘Clorinda, Clorinda! I say your name in my dreams. But I want more than dreams. Here is my gift.’

He placed the parcel into Clorinda’s hands. It was wrapped in a strip of gauzy fabric and tied neatly with string.

‘Open. Open!’ said Florian. ‘It is for the one I love.’

This utterance brought to Clorinda’s face a look of severity, seldom seen since the opening of the tea rooms had brought her so much gladness. She looked down at the package and knew that, no matter what it contained, she didn’t want to unwrap it.

‘I’m sorry,’ she said. ‘I never accept gifts from gentlemen.’

Florian Bellenger smiled his seductive smile and said, ‘Do not say such a disappointing thing, Clorinda. I am not any gentleman. You know that. I am a spirit of the air! So open my gift. Allez! I am sure you will like—’

‘No,’ said Clorinda. ‘Please take it back.’

‘I know what you think – that I want something in return, n’est-ce pas? Something you may not wish to give – yet. But écoutez-moi bien, you and I, we are not ordinary. We are not bound in chains. We are not slaves to propriety, like those English snobs and prigs out there in the street. You … from your green island; me … from far away. We are quite free.’

‘About freedom, I am inclined to agree. We are free, if we have the courage to be so. But this also means that I am free to say no to you.’

Florian Bellenger now looked as downcast as a trapeze artist, whose face has taught itself to smile at perpetual danger, ever allows himself to look.

‘Clorinda,’ he said. ‘This is a gift of lace, Point de Bruxelles, from my home. I give to you something precious. For friendship. For the hope that you can love me. You sew the lace onto your bodice and I … so softly, like the fingers of a flower … I will unlace it, to reveal to me what I long to touch.’

Clorinda was tired enough on this day to wish to remain sitting in her chair, but she made herself stand up and hand the package back to Bellenger.

‘You are my friend,’ said Clorinda. ‘But you cannot be my lover. Now, you must go, Monsieur. I have much work to do.’