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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

He told himself that if he were to engage his fellow passengers in conversation and learn something of their lives, he might be able to inhabit the days and nights with better grace, but he could not force himself to do this. Sunk so deeply into his own agonies, his head down, his arms folded and pressed against his chest, he knew he appeared almost as a madman might appear. On the rare occasions when he walked about the decks, or took a meal at a communal table, he saw what he created in people’s hearts: a feeling of unease. It was as if they feared he might do them harm, and a part of him believed they were right to fear this, because he could no longer accurately judge what he was capable of doing or saying.

When asked what he did for a profession – not wishing to risk having his doctor’s skills called upon during the voyage – he told his fellow passengers that he was an archaeologist. He invented a site on one of the hills surrounding Bath where a Saxon burial pit was supposedly being unearthed. And he found, as he anticipated, that nobody was truly interested in a past so distant from them. They had left England and its violent history behind them. They didn’t want to think about slain bodies and axe-heads of stone. They were going to the New World, which perhaps they imagined as a place of untouched vacancy, where History had never made landfall, where they would hold untroubled sway for the rest of their lives.

For Ross, the past was his only real habitation, yet it felt as though it had unfixed itself from any irrefutable truth and become fluid, offering him different versions of events he had thought would remain stable forever. When he remembered, for instance, the day in boarding school when he saved Edmund from his bullying peers by grabbing the tallest of the persecuting boys and holding him out of the dormitory by his feet, he was now not certain whether he had not let go of the child and watched the body fall. It seemed to him that he remembered a falling. He could now believe that he had seen the boy on the ground, his neck broken. He could hear some loud commotion before he himself was grabbed by the arms and led away …

Led away where?

It could not have unfolded like this because he, Ross, would have had to endure the fiercest punishment and there was no punishment, only this memory of the boy lying on the grass and the sound of people’s fear. And it came to him then that what he was imagining was what he now knew himself to have been capable of, not what he actually did. If he was a person who was capable of letting a twelve-year-old boy fall to his death from a window, was he also capable of murdering the woman he loved?