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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

Yet now she wondered whether she had been wrong about this. Did not the wives of other men find the means to discover their gifts and their talents? Was not the mathematical genius, Ada Lovelace, a fine example of this? Might not the steady support of a man take from her sufficient material worries to allow her the space to commune more deeply with herself, so that The Thing would reveal itself to her more quickly and more completely?

And what of companionship? Like Emmeline, Jane had often had moments of feeling lonely. She pitied her aunt for all the years she had spent in a solitary life. True, that life had been an admirable one, but it had also been difficult, freighted with sadness and mourning. Emmeline had discovered a fine gift in herself and yet, for all that, she had not had the life she wanted.

Jane now tried to remember any moments when Valentine Ross had caused her irritation. He had stared at her sometimes, with a stare which lasted too long, but this had perplexed her more than it had annoyed her. In general, she had been perfectly comfortable and content in his company and it was only the terrible moment at Mrs Morrissey’s which had brought about her fury.

After all this analysis of her memories and feelings, Jane realised that she now felt tired, but not at all sleepy. Her head ached. She had one of those strange moments of wishing that she were not alive at all to face the dilemmas which surrounded her.

She reached for her diary and wrote: ‘Though the image of Julietta’s beautiful face is never absent from my mind for long, tonight I am thinking again about my poor Valentine. But why do I describe him so, as though he might be a little wounded animal I had first rescued and then abandoned? So now I ask myself, are marriage vows sometimes brought to their fatal exchange because one party feels sorry for the other? ’

BELLE ÉPOQUE

The next day, Julietta arrived at Tite Street in a state of hectic excitement. She recounted how Ashton Sims was visiting Paris to talk to a well-known French author, a certain Guy Mollinet, in the hope of acquiring the translation rights to his new novel for Kirkwall & Sims, and had suggested that Julietta come with him ‘to buy herself a new Paris wardrobe for the coming spring’.

‘I told him,’ panted Julietta, ‘that it was a grand idea but that I would be very sad going shopping on my own and he straight away suggested that you come with us, Jane! It was his idea, that you should accompany me. He said he admires your wit and that you might make him smile at dinnertime and help to entertain Monsieur Mollinet. He loves to laugh, apparently, and speaks good English. Ashton will arrange everything. We leave on Thursday for Dover.’

Jane had agreed at once and then sat down and written the following note to her father: