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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

Jane looked at the clothes, more sober in their colours than the dresses of the first room, but nevertheless indicating the kind of flamboyance to be seen perhaps in London, but very seldom in Bath. Tirard pulled one ensemble from the racks, a dark red frock coat, narrow check trousers, red and black, and a silver waistcoat.

‘Séducteur?’ he said, with a raise of his manicured eyebrows.

He moved towards Jane with the costume, then held it close to her body, inviting Julietta to admire the way the vivid reds set off her colouring, and now Jane understood; she was here to complete the transformation she had already felt in herself. She was going to become a man.

More and more outfits were selected by Tirard and held against Jane’s body. Each one provoked such excitement in Julietta that her pale cheeks were soon cherry-coloured and sweat began to glimmer on her beautiful brow.

‘Jane, Jane!’ she cried out. ‘I love them all. Which do you like? Which shall we try on?’

Now Jane felt torn between the peculiar horror the place had provoked in her and Julietta’s excitement at the idea of dressing her in men’s clothes. ‘In most conflicts between desire and other sentiments,’ Emmeline had once said to her, ‘desire always wins.’ And Jane suspected that it would win now.

She and Julietta were led behind a silk curtain. Julietta reached up and gave her a long ardent kiss. ‘Like this,’ she whispered, ‘I am going to love you more than I have ever loved anyone.’ Both the kiss and Julietta’s words stirred Jane to follow Julietta’s breathless instructions. She obediently disrobed, her clothes being almost torn from her by Julietta’s nimble hands, and put on a white shirt, green and black striped trousers, a green waistcoat and a black frock coat.

Julietta dashed out from behind the curtain to ask Monsieur Tirard for a tie and a top hat. She returned to arrange the tie very tenderly in a perfect bow, just as she might have done for her husband. Then she produced a tortoiseshell comb from her purse, brushed Jane’s hair back from her face and secured it in a tight chignon. She handed Jane the top hat and Jane put it on. When this was done, she turned Jane round towards a long, tarnished mirror, draped with a feather boa.

‘Look,’ she said. ‘Now we are the perfect couple. We can do anything we want. We only need one more thing.’

Julietta went out again and Jane heard her whispering to Monsieur Tirard and Tirard say to her, ‘Signóra, vous êtes sublime! Mais vous savez ces choses-là coûtent chers. Ils sont defendus … ’

‘Je le sais,’ said Julietta. ‘But I adore risk. You know me by now, Monsieur Tirard. I am in love this time. Please give me what I need.’

Jane heard them walk away into another part of the shop. She turned her gaze on her own reflection. The change in her was impressive and she would have been entertained, even mildly excited by it had she not been besieged by the sudden and devastating realisation that Julietta, greeted as an old friend by Monsieur Tirard, had surely been through this very same erotic game with other lovers.