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Contents ( 74)
  1. Rose Tremain
  2. CONTENTS
  3. ABOUT THE AUTHOR
  4. Part One
  5. THE RUBY NECKLACE
  6. ONE AFTERNOON AT MRS MORRISSEY’S
  7. THE ANGEL OF THE BATHS
  8. GOLEM
  9. CAPERCAILLIE
  10. RAJAH
  11. A PORTRAIT
  12. ‘THE DESTINY OF THE STOMACH’
  13. ACROBAT
  14. ‘… AND OF HIS KINGDOM THERE SHALL BE NO END.’
  15. ‘EYES WITH WHICH TO SEE’
  16. MICROSCOPE
  17. TUMOUR
  18. VANISHING ANGEL
  19. LEON’S NEW IDEA
  20. WHERE THE RED ANTS LED
  21. VALENTINE REVISITED
  22. BELLE ÉPOQUE
  23. MORGUE
  24. THE RIVER TURNED UPSIDE-DOWN
  25. Part Two
  26. ‘SOMEWHERE QUIET AND SOLITARY’
  27. EBB TIDE
  28. SUDDEN MERRIMENT
  29. AFTER THE RAINS
  30. THE GREAT MISTAKE
  31. HEIRLOOM
  32. MAGIC FROM UNDERGROUND
  33. THE RAINSFORD
  34. MIDNIGHT
  35. COMPLICITY
  36. STRANGER
  37. FORGOTTEN STREETS
  38. DARK AND SHINING COLOURS
  39. Part Three
  40. WOMAN IN WHITE
  41. ‘ONLY SUBMIT’
  42. THE HAND OF THE ENGINEER
  43. CAT’S CRADLE
  44. NO NEARER TO CERTAINTY
  45. ANTE-ROOM
  46. THE TREASURE HOUSE
  47. WHAT TAMINAH KNEW
  48. OUT OF REACH
  49. UNCTION UPON WATER
  50. TABLEAU
  51. ‘BRITISH EMPIRE DOCTORS’
  52. A BOUT OF SINGING
  53. DUTTON & CALDECOTT
  54. ‘SHE WAS COMPLETE’
  55. CITIZENS OF THE WORLD
  56. LEON’S PLAN
  57. LILIES AND BRIARS
  58. ‘SOMETHING OF GREAT WEIGHT’
  59. THE WOODEN HOOP
  60. Part Four
  61. A BARGAIN
  62. QUEEN OF THE ISLANDS
  63. VIGIL
  64. A STATE OF MARVELLOUS DREAMING
  65. A MAN WHO DISLIKED RIDDLES
  66. THE WHITE CLOUD
  67. THE GOOD SHEPHERD
  68. THE MIDDLE CHILD
  69. NEVER BEFORE SEEN IN BATH
  70. A STORY OF GOOD AND EVIL
  71. ‘ONE AND THE SAME’
  72. THE WHITE ROAD
  73. SNOWBERRIES
  74. ACKNOWLEDGEMENTS

‘Shame for what, Sir?’

‘Shame to fall.’

‘Oh,’ said Clorinda, ‘well, it was all the fault of the fireworks creating such a fright to you. If you ask me, you are one of the bravest people I’ve ever met. To walk on two bits of wood, like that. And to do that swinging and flying business through the air, with no net to catch you. Are you a Roman Catholic, Sir? Because I honestly think Our Lady herself would have been impressed by you and she would not have you talk of shame.’

Florian Bellenger had laughed joyfully and pressed the flowers into Clorinda’s arms. They were Michaelmas Daisies and the purple and yellow of them reminded her of the scabious and ragwort which sprang up in the parks of Dublin, for want of a scythe. As she buried her face in them, Florian Bellenger had leaned forward and kissed her ear.

After that, he had called several times. Mrs Morrissey had made him tea and offered him muffins, for which she did not ask him to pay. If she was working, his eyes followed her about the room. It wasn’t difficult to deduce that he had decided to fall in love with her.

When she thought about this, objectively, her own responses puzzled her. She could see that, by her own standards – in which people of great singularity, even downright oddness, were always favoured over those who were merely replicas of a thousand, directionless others – Florian Bellenger was a perfect man. Foreign, fearless, with an unknown, exotic past, the body of a dancer and a smile of such sweetness that other women became instantly flustered by it, he was surely an alluring prospect as a lover. And yet Clorinda Morrissey didn’t want him. She liked his presence, his voice, his kindness, but she just didn’t want him in her bed. After a while, she wondered whether she didn’t want him because he had fallen, even as her young carrot-headed suitor in Ireland had fallen and succumbed to death. And she concluded that the only kind of man she might take willingly into her arms was one who would not fall, but on the contrary, be steady enough to lift her up, to a higher position in the world.

Now, on the day when she had agreed to help Sir William Adeane and Valentine Ross with their domestic troubles and was already making lists in her mind of the dishes she might make for them, here was Florian Bellenger at her door once again.

Damp and hot from her cleaning of the tea room and the arduous mixing and beating of flour, butter and sugar, with her brown hair in wild, escaping curls, she was tempted just to signal to him through the glass, telling him to go away. But he was pressing himself very close against the door and holding up a parcel, suggesting that he had come on an important errand. So Clorinda sent her helper, Mary, into the back kitchen, dried her hands on her apron and let him in.