Back Grime
Chapters (69)
  1. Copyright Notice
  2. THE MILLENNIUM
  3. DON
  4. HANNAH
  5. KAREN
  6. DON’S MOTHER
  7. PETER
  8. THE MOTHER
  9. DR. BROWN
  10. HANNAH’S FATHER
  11. SERGEJ
  12. MOTHER
  13. THE RUSSIAN
  14. THOME
  15. THE RED DEER
  16. THOME’S FATHER
  17. WALTER
  18. KAREN’S BIG BROTHER
  19. PATUK
  20. OLD WOMAN
  21. POLICEWOMAN
  22. BEFORE THE INTERMISSION
  23. INTERMISSION
  24. HUMANITY
  25. SIR ERNEST (EARL)
  26. COMMUNICATIONS CONSULTANT
  27. PROGRAMMER
  28. MA WEI
  29. CARL
  30. THE FRIENDS (BEN, KEMAL, PAVEL, MAGGY, RACHEL)
  31. BODYCAM MAN
  32. MAGGY
  33. MR. M.
  34. ROGER
  35. THE AVERAGE ENGLISHMAN
  36. THE LAB DIRECTOR
  37. HONEST MAN
  38. JOB NOMADS
  39. COURIER
  40. BOXER
  41. ATTACKERS
  42. THE EIGHT-YEAR-OLD PROSTITUTE
  43. KEVIN
  44. SWEATING MAN
  45. BERTA AND HENRY’S
  46. RACHEL
  47. YOUNG MEN
  48. ARTHUR
  49. STUDENT
  50. ROB
  51. A WOMAN
  52. PHILOSOPHER
  53. THE MATTRESS SELLER
  54. ABDULLAH B.
  55. THE PRO-LIFERS
  56. PROFESSOR DR. KUHN
  57. JON
  58. PROFESSOR
  59. MIDDLE-AGED TEACHER
  60. WOMAN WITH THE THINNING HAIR
  61. BANKER
  62. THE CHILD
  63. THE NEW PRIME MINISTER
  64. MADAME CECILIE
  65. THE JOURNALIST
  66. THE WORLD
  67. ACKNOWLEDGMENTS
  68. ABOUT THE AUTHOR
  69. Newsletter Sign-up

Lies on her mattress, her legs twitch, she tries to read but can’t concentrate because her legs are twitching. And her brain isn’t trained for the grasping of long blocks of text.

“Is there a lot of dialogue?”

Asks Hannah.

“What do you mean, dialogue?” asks Don. “It’s a book about algorithms.”

Hannah lies down next to Don, whose skin immediately becomes sensitive. Nearly painful in the areas where Hannah’s body touches hers. From outside the wind blows through the drafty windows, a candle flickers in the kitchen; another nod to adulthood, they always light candles, adults, and then they drink wine. The children have also drunk wine today; it makes you bleary.

“My favorite part of books is the dialogue,” says Hannah. She stares at Don’s book. “Do you mean comics,” asks Don, shifting to the side a bit so she can breathe. “No,” says Hannah. “Dialogue, I can hear people talking, and they talk the way we talk, it draws me closer to the story.”

Don is silent. Her heart races, her head buzzes. She is. Simply out of her mind. Don hates books with dialogue and is convinced that it’s a lazy trick used by writers, this whole writing of dialogue thing. It fills pages so nicely. With the empty sentences that most people exchange, with all the incredibly meaningless words they use to demonstrate their self-importance or to talk about their relationships or just their fear of being nothing more than an aggregation of desires. “Do you want to kiss me?” Don doesn’t ask, staring into her fucking book. It’s about the benefits of an algorithm-defined society. And it has no fucking dialogue. But it is fucking horrible. Bots pushed it to the top of the best seller list. Bots push all kinds of shit, but people have gotten accustomed to it, or perhaps nobody cares whether they see real news or fake, whether they’re chatting with a bot or a human. The point is that someone is listening to them. Back when they were still around, many media experts had urged citizens to become critical, um, users. The truth of every news item, every article, every video could be checked through time-consuming research. Well. Okay. A kind of truth. Nobody did it. Truth is a feeling. A gut feeling, people say, people who should be smacked for the use of the phrase. But everyone just continues to believe what they want to believe—like an apocalypse brought on by jet airplane chemtrails, the victory of anarchists, or that vaccines are deadly. The more confusing the world gets, the more desperate individuals are to create an inner catalog of the comprehensible.

Hannah has returned to her mattress, has turned off her bedside lamp; now just the TV is on so the voices can calm the children, talk them to sleep, sleep that doesn’t want to come when it is too quiet.

It’s going well, thinks