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Contents ( 81)
  1. Cover
  2. Praise for These Nameless Things
  3. Books by Shawn Smucker
  4. Title Page
  5. Copyright Page
  6. Dedication
  7. Epigraphs
  8. Contents
  9. Anytime to Three Months
  10. I’m Afraid Not
  11. The White-Haired Woman
  12. The Emptiness
  13. Looking for You
  14. Closer Than They Might Appear
  15. The First Drowning
  16. The Tea Party
  17. The Field
  18. My Own Flesh and Blood
  19. Crossing Over
  20. A Place in This World
  21. Leaving
  22. The Man in the Hotel
  23. Driving Away
  24. Gone Again
  25. No Trespassing
  26. Into Nysa
  27. No Cares in the World
  28. You Should Turn Around
  29. When Everything Started Happening
  30. An Unexpected Encounter
  31. Night Swimming
  32. Shirley
  33. The Woman at the Window
  34. What’s Real?
  35. The Question
  36. The End of Me
  37. She Went Under
  38. Desecrated
  39. The Carpet
  40. The Boat
  41. Sinking
  42. The Weight of Memory
  43. Photographs
  44. Was It You?
  45. A Wedding and a Ring
  46. Dreams and Open Windows
  47. New Developments
  48. The Door
  49. Going Under
  50. The Loss of You
  51. The Glassy Sea
  52. Following Her Down
  53. Something Beyond Us
  54. Let’s Not Leave Her Alone Anymore
  55. Too Many Secrets
  56. Heavy Things
  57. She’s Gone
  58. Our Future Spelled Out
  59. Screams at the Cabin
  60. So Close
  61. When You Arrive at the End, Keep Going
  62. It’s True
  63. The Other Side
  64. Reality
  65. Swimming Underwater
  66. Only the Deepest Pools Remain
  67. The Open Window
  68. When I Knew
  69. The Clouds Bear Down
  70. The Far Green Country
  71. Gone
  72. The Fly
  73. The Nesting Doll
  74. Two Months Later
  75. Floating Away
  76. Another mesmerizing story from Shawn Smucker
  77. Prologue
  78. Acknowledgments
  79. About the Author
  80. Back Ads
  81. Back Cover

Tom and Shirley on the couch with her parents.

Tom and Shirley fishing in a boat in the middle of the lake.

Tom holding up a bass.

Shirley smiling, shielding her face from the sun.

I page through the notebook, photo after photo after photo, mostly of Tom and Shirley but also of friends I recognize but whose names I can’t recall. I close the book. What would those years have been like for me if Mary hadn’t gone away? Would the three of us, John included, have thrived here in Nysa? Would we have stayed even as things deteriorated, as people moved away, as Nysa shrank? Would we have grown old alongside Tom and Shirley, spent Labor Days and Memorial Days together on the lake, eating burgers and watching John (and maybe more of our own children) jump off the dock or water ski or jump off The Point?

A shot of curiosity moves through me, something like adrenaline mixed with dread and hope all at once. I slide the notebook back and look to the left of it, my eyes roaming the shelves.

There it is.

A book from the summer before John was born. The second summer that we lived at the cabin.

I take it down and hold it in my hands. I imagine the photos Shirley must have taken that summer, pictures of Mary’s swelling stomach and of me, baby-faced, standing beside her with my baseball cap on backwards, grinning awkwardly. Eighteen years old.

I turn the notebook over and over. I can open it if I want—there’s nothing keeping me from it—but there is something inside of me that’s afraid of those days, afraid of going back. I’ve run from that time of my life for forty years, and even when it’s right here in front of me, those years waiting to be viewed, mulled over, I can’t make myself do it.

But I have to.

I open it, and a sob catches in my throat. There are faded photos tinted orange of us at the cabin that summer and fall. John is a baby. These are photos Shirley took days before Mary left us. One of them in particular grabs my emotions. The two of us are sitting at the end of the dock, and the sun glares off the water. Our bodies both face out over the lake, but we’re looking over our shoulders at Shirley and the camera. I’m grinning and holding up a hand (“Stop, Shirley!”), while Mary tilts her head and smiles. At the bottom of the photo, I can see our hands resting on the splintered wood of the pier, our fingers barely touching.

I don’t see any sign of John in the photo. Was this taken in the weeks before his birth? It’s hard to tell—I can’t see Mary’s stomach.

Of all the things taking place in the photo—the sunny day, Shirley stealing another photo, me protesting, and Mary calmly letting it all happen—the detail that remains is the touch of Mary’s fingers on mine. Whenever our hands touched, her fingers were always moving, grazing over mine so lightly I could barely feel them. Yet there it was—her touch. It was like magic.