Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“She’s not pretending—she really likes him, and he likes her!” I cried. “You didn’t see how she kissed him, Nora.”

“I haven’t met the guy, Adam,” Nora said. “Let’s leave who’s pretending, or not, for another day—okay, kiddo?”

“Okay,” I told her.

Naturally, I would find a way to ask my mom about those black-and-whites that were haunting me—whatever they were. One night I phoned my mother in Stowe—at her dormitory for girl jocks.

“This is Molly,” the night groomer said, and we went through our Adam the Kid routine before my mom came to the phone.

“Is this my Adam?” she said, as usual.

I didn’t tell her I’d been having dreams. I said I’d been seeing things—usually when I was somewhere between asleep and awake. I told her I’d been imagining black-and-white photographs of what looked like actual people, places, and occurrences.

“You’re being a little vague, sweetie,” my mother said.

“Before it was a ski town, Aspen used to be a mining town—right?” I asked her.

“Silver mining. Describe what you’ve seen, sweetie.”

I began with the guys in front of the shack, the stack of firewood, the bucksaw in the sawhorse; I didn’t get to the different kinds of hats and caps. “Sounds like a mining camp in the 1880s—the early days,” my mom said.

I got only as far as the mule train carrying heavy cargo above timberline—just the part about the narrow trail the mules and the wagons were on. “Sounds like Independence Pass—ore wagons, raw silver, going to Leadville over the Continental Divide,” Little Ray interrupted me.

I described the men, children, and dogs—their posing in front of the ramshackle buildings. I ended with, “Maybe it’s a mine.”

“Of course it is, Adam—it sounds like a daytime shift at the Smuggler Mine,” my mom told me.

I barely mentioned the two miners underground—the one with the sledgehammer, the other tinkering with what might have been an explosive device. “I’ve seen those two—they’re always setting the black-powder charges. Something must have gone wrong,” my mother said.

“You’ve seen them?” I asked her.

“I’ve seen their ghosts, sweetie—you’re seeing ghosts. This kind of ghost can’t hurt you,” my mom assured me.

“What about the well-dressed, bearded gentleman? He looks very refined; he looks brave but sad. Is he the kind of ghost who can hurt you?” I asked my mother.

“Poor Jerome,” my mom said softly. “Jerome B. Wheeler won’t hurt you.”

I knew then what the three-story brick building was, without asking. The massive-looking brick rectangle was the Hotel Jerome. I asked my mom about the horse-drawn wagon.