Back The Last Chairlift
Chapters (63)
  1. Cover
  2. Title Page
  3. Dedication
  4. Epigraph
  5. ACT I EARLY SIGNS
  6. 1. AN UNMADE MOVIE
  7. 2. FIRST LOVE
  8. 3. A FIRST-NAME BASIS
  9. 4. DETERMINED NOT TO LEARN
  10. 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
  11. 6. LITTLE RAY
  12. 7. ALL ABOUT SEX
  13. 8. HAVE YOU SEEN THEM?
  14. 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
  15. 10. NOT TARZAN
  16. 11. SMALLNESS AS A BURDEN
  17. 12. INTENDED FOR LITTLE RAY AND ME
  18. 13. THE SNOWSHOER KISS
  19. 14. A JUDGMENT CALL
  20. 15. SEEING THINGS
  21. 16. WHAT HAPPENED THAT NIGHT
  22. 17. SON OF THE BRIDE
  23. 18. WHAT THE STONE SPARROWS SAW
  24. ACT II THE HONEYMOON ON THE CLIFF
  25. 19. “I SAW ME IN YOUR EYES”
  26. 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
  27. 21. IN CONTROL
  28. 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
  29. 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
  30. 24. MELANCHOLIC ENOUGH
  31. 25. THE “POLICE REPORT”
  32. 26. THE GETAWAY DRIVER
  33. 27. SEXUAL POLITICS, A FIRE, JEALOUSY
  34. 28. STILL GROWING
  35. 29. THE GOOD SHEPHERD
  36. ACT III RULES FOR GHOSTS
  37. 30. THE WOMAN WITH THE BABY CARRIAGE
  38. 31. WHERE HAVE THE BANANAS GONE?
  39. 32. A TURN IN THE ROAD
  40. 33. JUST SMALL ENOUGH
  41. 34. OUR MARINE
  42. 35. AT THE WHALE SHIP
  43. 36. BOOK SIGNINGS
  44. 37. THINGS TO DO WITH A PENIS
  45. 38. PLAGUE SONG
  46. 39. WENGEN
  47. 40. THE NIGHT OF THE SANTAS
  48. 41. STARTING SOMETHING
  49. 42. A NORMAL LIFE
  50. 43. A BOHEMIAN LIFESTYLE
  51. 44. MEN WHO SHOULD BE CASTRATED
  52. 45. LOGE PEAK
  53. 46. “FOUND YOU!”
  54. 47. WRITTEN IN THE SNOW
  55. 48. FIVE YEARS, FOUR MOVIES
  56. 49. NOT A GHOST
  57. 50. EM AS ISHMAEL
  58. 51. “O CANADA”
  59. 52. THE LESBIANS’ CHILDREN
  60. 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
  61. ACKNOWLEDGMENTS
  62. ABOUT THE AUTHOR
  63. ALSO BY JOHN IRVING

“Where does Mr. Barlow sleep—in what kind of bed, with whom?” Aunt Martha chimed in.

“He has a single bed, a small one. Ray and I have a double bed, in a bigger room. We share a bathroom—it’s between the bedrooms,” I explained. This was true, too, but I was stalling.

“You’re too old to sleep with your mother, Adam,” Aunt Abigail said tiredly, for the hundredth time. “Think of your hands.”

“My mom visits Mr. Barlow—in his room, almost every night,” I said slowly, as if I were writing this sentence. A truthful sentence, nonetheless. After Ray and I had gone to bed—when we’d been whispering together, and had finally run out of things to say—my mother would slip out of bed and whisper a few more things.

“I’ll be back soon, sweetie—I’m going to visit the snowshoer,” she whispered. “I’ll leave a night-light on in the bathroom—okay?”

“Okay,” I whispered back.

I would have noticed if she wore a naughty-looking nightie, but she was always wearing her flannel pajama bottoms, or athletic shorts, and a T-shirt—nothing frisky. Sometimes I was awake when she came back to our bed, sometimes not. These are true details, notwithstanding that I knew the conniptions Little Ray’s nightly visits would cause my querulous aunts.

“She visits Mr. Barlow!” Aunt Abigail cried. “For how long?”

“It wouldn’t take long—he’s so small!” Aunt Martha chimed in.

“They’re not even engaged!” Aunt Abigail said scornfully. They soon would be, but their engagement wouldn’t matter to my aunts. The inappropriateness of my mom’s visits with Mr. Barlow would continue to rankle the two most condemning Brewster girls, long after the snowshoer and Little Ray were married.

“Those two have other bugs up their asses—more than the matrimony bug,” Nora always maintained, about her mother and Aunt Martha.

“I don’t suppose you can hear Mr. Barlow and your mom—can you, Adam?” Aunt Abigail asked me. Ah, well—that was the opportunity for fiction writing I’d been waiting for. I was experimenting as a storyteller. I was imagining I could make something up by leaving something out. Dickens would have done it better.

“I don’t hear them talking,” I started to say. The pause was deliberate. “Well, I can occasionally make out what she says—never what he says, if he ever talks. There’s just a lot of grunting and groaning, and laughing,” I told them. “The floor shakes, sometimes.” My aunts said nothing—that was a first. It was as if they were listening for the grunts or groans, and the lovers’ laughter, or they were waiting for the floor to shake.