Chapters (63)
- Cover
- Title Page
- Dedication
- Epigraph
- ACT I EARLY SIGNS
- 1. AN UNMADE MOVIE
- 2. FIRST LOVE
- 3. A FIRST-NAME BASIS
- 4. DETERMINED NOT TO LEARN
- 5. BUT WHAT ACTUALLY HAPPENED IN ASPEN?
- 6. LITTLE RAY
- 7. ALL ABOUT SEX
- 8. HAVE YOU SEEN THEM?
- 9. MOVIES, GIRLFRIENDS, FOREIGNNESS, OUTLIERS
- 10. NOT TARZAN
- 11. SMALLNESS AS A BURDEN
- 12. INTENDED FOR LITTLE RAY AND ME
- 13. THE SNOWSHOER KISS
- 14. A JUDGMENT CALL
- 15. SEEING THINGS
- 16. WHAT HAPPENED THAT NIGHT
- 17. SON OF THE BRIDE
- 18. WHAT THE STONE SPARROWS SAW
- ACT II THE HONEYMOON ON THE CLIFF
- 19. “I SAW ME IN YOUR EYES”
- 20. A LITTLE BEHIND GIRLS HER AGE, SOCIALLY; DEFINITELY AHEAD OF; DEFINITELY BEHIND
- 21. IN CONTROL
- 22. MY SECOND-MOST UNMARRIAGEABLE GIRLFRIEND
- 23. “ALMOST PERFECT” OR “NO STRINGS ATTACHED”
- 24. MELANCHOLIC ENOUGH
- 25. THE “POLICE REPORT”
- 26. THE GETAWAY DRIVER
- 27. SEXUAL POLITICS, A FIRE, JEALOUSY
- 28. STILL GROWING
- 29. THE GOOD SHEPHERD
- ACT III RULES FOR GHOSTS
- 30. THE WOMAN WITH THE BABY CARRIAGE
- 31. WHERE HAVE THE BANANAS GONE?
- 32. A TURN IN THE ROAD
- 33. JUST SMALL ENOUGH
- 34. OUR MARINE
- 35. AT THE WHALE SHIP
- 36. BOOK SIGNINGS
- 37. THINGS TO DO WITH A PENIS
- 38. PLAGUE SONG
- 39. WENGEN
- 40. THE NIGHT OF THE SANTAS
- 41. STARTING SOMETHING
- 42. A NORMAL LIFE
- 43. A BOHEMIAN LIFESTYLE
- 44. MEN WHO SHOULD BE CASTRATED
- 45. LOGE PEAK
- 46. “FOUND YOU!”
- 47. WRITTEN IN THE SNOW
- 48. FIVE YEARS, FOUR MOVIES
- 49. NOT A GHOST
- 50. EM AS ISHMAEL
- 51. “O CANADA”
- 52. THE LESBIANS’ CHILDREN
- 53. THE VOICE ON THE SUBWAY; THE SILENCE IN THE ROCK GARDEN
- ACKNOWLEDGMENTS
- ABOUT THE AUTHOR
- ALSO BY JOHN IRVING
8. A boy, or a young man; the first time I saw him, he looked my age, thirteen or fourteen. He is leaning on his snow shovel—a long shovel, or a short boy. The top of the shovel’s handle comes to his ear. He is posing in front of a snowbank; he appears to have cleared the sidewalk and the entryway to a building, which has a tall door. Sometimes I think I see skis leaning against the building; the snowbank and an American flag are always there. The boy is handsome, but his smile is childlike. Except for the boy and the hotel maid, the black-and-whites have the look of the 1880s or 1890s. Like the photo of the maid, the black-and-white of the boy with his snow shovel could be from the 1940s. He’s wearing jeans and cowboy boots; his ski sweater and hat look like they might have belonged to someone else. The sweater is a little too wide for his shoulders; the pom-pom on the ski hat is girlish, or the pom-pom accentuates something girlish about him. The American flag and the tall door indicate the entrance to a hotel. A hotel guest, a woman, might have given her old hat and sweater to the boy.
When you stop sleeping soundly, you dream more. You’re also tired; you can’t always discern the difference between your dreams and what you imagine when you’re lying awake. When I started seeing the black-and-whites—in the seventeen months between my mom’s first meeting with the snowshoer and when she married him, when I still slept in the attic bedroom of my grandmother’s Front Street house—my sleep was further disturbed by the smell of human shit. It’s an unmistakable smell. You don’t dream it; you can’t imagine it. When I first woke up to that awful odor, I felt myself under the covers—just to be sure I hadn’t had an accident in my sleep. It wasn’t me. It was the nightwalker emeritus; he was also detectable by a creak on the attic stairs. The twelfth step, third from the top, invariably creaked. Had my nighttime visitor always come to watch me sleeping under the skylight? When I slept as soundly as a child, I probably didn’t hear him—or smell him. Before the prowling diaper man started shitting himself, I wouldn’t have smelled him.
One night—it wasn’t snowing, and the moonlight was bright—I woke to see the nocturnal diaper man standing in the silvery glow from the skylight. Gaunt as a ghost—naked, except for the loaded diaper—the disassembling emeritus had come to stare at the illegitimate child who’d taken his words away.